Last updated: 2 hours ago
I make music for feature films, documentaries, animations and TV.
I've been making music since the mid 90s in London, starting out as Odd Toot with a couple of bedroom-produced, wierdo, genre-hopping albums on Hydrogen Dukebox Records. I toured widely on drums with label-mate James Hardway (a.ka David Harrow), before relocating to Barcelona in 2002. I soon discovered a love for working to image and these days I work on everything from dark, abstract short animations to sugar-pop song scores for blockbuster films.
I just love telling stories with music.
Notable films include a decade of collaborations with top Spanish director Maria Ripoll for Sony, Amazon, Netflix and more, or sports documentaries with Zoomsport: "TAKE THE BALL PASS THE BALL" (Universal), about Pep Guardiola's Barcelona Football Club, or the Brazilian world-cup biopic about Ronaldo R9 "THE PHENOMENON" (DAZN), or most recently NO TIENES NI **** IDEA (Movistar/ MAX) about Luis Enrique's first year as manager at Paris Saint German.
I've been making music since the mid 90s in London, starting out as Odd Toot with a couple of bedroom-produced, wierdo, genre-hopping albums on Hydrogen Dukebox Records. I toured widely on drums with label-mate James Hardway (a.ka David Harrow), before relocating to Barcelona in 2002. I soon discovered a love for working to image and these days I work on everything from dark, abstract short animations to sugar-pop song scores for blockbuster films.
I just love telling stories with music.
Notable films include a decade of collaborations with top Spanish director Maria Ripoll for Sony, Amazon, Netflix and more, or sports documentaries with Zoomsport: "TAKE THE BALL PASS THE BALL" (Universal), about Pep Guardiola's Barcelona Football Club, or the Brazilian world-cup biopic about Ronaldo R9 "THE PHENOMENON" (DAZN), or most recently NO TIENES NI **** IDEA (Movistar/ MAX) about Luis Enrique's first year as manager at Paris Saint German.
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