Single Girl, Married Girl

L.A.-based pop/folk/Americana outfit Single, Girl, Married Girl writes songs that are simultaneously beautiful and devastating with poetic, perceptive lyrics that astutely capture what it means to be human. Steeped in a folk songwriting tradition that harkens back to <a href="spotify:artist:1P9syEkl41IFowWIJN7ZBY" data-name="Pete Seeger">Pete Seeger</a> and <a href="spotify:artist:1EevBGfUh3RSQSGpluxgBm" data-name="Joan Baez">Joan Baez</a> mixed with modern songwriting elements in the style of <a href="spotify:artist:5cMVRrisBpDkXCVG48epED" data-name="Jenny Lewis">Jenny Lewis</a> and <a href="spotify:artist:2sG4zTOLvjKG1PSoOyf5Ej" data-name="Brandi Carlile">Brandi Carlile</a>, Single Girl, Married Girl fearlessly tackles issues ranging from loss and drug addiction to insecurity and depression.


Named for The Carter Family’s song of the same name, Single Girl, Married Girl has been confused for a dating site on occasion for obvious reasons, with people seeking love connections on the band’s Facebook page; something the band finds ironic, considering their own pursuit of an audience.


Their new album, Three Generations of Leaving features front-woman <a href="spotify:artist:6tF0eu232U5mRfpOSPtfmB" data-name="Chelsey Coy">Chelsey Coy</a> on vocals and banjo also features longtime band members <a href="spotify:artist:2EybHt4XQBAMwrSJEZCsYg" data-name="Charlie Rauh">Charlie Rauh</a> on guitar, Oskar Haggdahl on drums, John Gray on upright bass, and <a href="spotify:artist:61tzSWgs7h9b7TtIgHylzJ" data-name="Shannon Söderlund">Shannon Söderlund</a> on backing vocals, with guests Thad DeBrock on pedal steel and baritone guitar, <a href="spotify:artist:38MKhZmMRHAZRz8LqtKIBw" data-name="Mary Lattimore">Mary Lattimore</a> on harp, Philip Kronengold on piano/organ, Burt Levine on banjo, Callie Galvez on cello, and Haruka Horii on violin. They received rave reviews from No Depression, American Songwriter, Bluegrass Situation, and The New York Times!