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St. Waters is a four-piece outfit from Tashkent, Uzbekistan, which explores the borderline territories of post-rock, post-punk and alternative rock. Frequently compared to ’90s cult icons like <a href="spotify:artist:4IwOItqRhsIoRuD5HP4vyC" data-name="Slint">Slint</a> and <a href="spotify:artist:4YjpqCSDD7zwMQgPYJMqb0" data-name="Unwound">Unwound</a>, no stranger to <a href="spotify:artist:34UhPkLbtFKRq3nmfFgejG" data-name="Mogwai">Mogwai</a>’s cinematic intensity, and drawing inspiration from modern acts like <a href="spotify:artist:3PP6ghmOlDl2jaKaH0avUN" data-name="Black Country, New Road">Black Country, New Road</a>, St. Waters crafts soundscapes that feel both rousing and cathartic.
The debut EP, <a href="spotify:album:5PHzHlE6IZquM0ZDtC3yqn" data-name="Tashkent-Worldwide">Tashkent-Worldwide</a>, cements the band’s idiosyncratic place in their local scene. Eschewing clichéd “exotic” oriental aesthetics, they channel their international influences into bittersweet, nostalgic compositions — turning private memories into universal emotions, delivered from Tashkent to the world.
The debut EP, <a href="spotify:album:5PHzHlE6IZquM0ZDtC3yqn" data-name="Tashkent-Worldwide">Tashkent-Worldwide</a>, cements the band’s idiosyncratic place in their local scene. Eschewing clichéd “exotic” oriental aesthetics, they channel their international influences into bittersweet, nostalgic compositions — turning private memories into universal emotions, delivered from Tashkent to the world.
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