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Stillhound have been friends since childhood. Attending the same school, the Edinburgh three-piece grew up dreaming about making music, huddling together to swap ideas, write songs, and conjure dreams.

Debut album ‘Bury Everything’ was a remarkable creative feat, the sound of their musical lives distilled down to an essence. Largely rooted in their Lost Oscillation studio it was the start of something, but also a finishing point. What comes next is their new album – it’s daring, it’s ambitious, and it’s self-titled, offering a new definition of Stillhound.

Deciding they needed a fresh environment, Stillhound set off into the Scottish Highlands, turning small cottages into makeshift studios in picturesque but intimate landscapes such as Gairloch, Ardnamurchan, and Ullapool. The environment seeped into their music, too – long days swimming in the sea, long nights surrounded by barren wilderness. Working completely independently, Stillhound took charge of every facet of their sound, and it allowed the band to become more free-form, more fluid, but also more direct and dynamic.

The results are startling. ‘Stillhound’ builds on the innate promise of their debut while introducing potent new directions for the band, ranging from Nine Inch Nails style darkness to the daring pop of Depeche Mode, or even the startling songwriting of Grizzly Bear. It’s a fusion of the digital and the analogue, the blend of technological prowess with engrossing songwriting.

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