Artist

The Devil's Trade

drone metal stoner metal southern gothic

Last updated: 3 days ago

It is of no surprise liminal space is a key element in the next phase of The Devil’s Trade’s fourth album, ’Vidékek vannak idebenn’ (a title that loosely translates to ’There Are Landscapes Within’) as Dávid Makó, the man behind the moniker has indeed arrived to a threshold in his career, where the phase starting with his self-released debut ’Those Miles We Walked Alone’ ended after his latest album ’ <a href="spotify:album:3adXZMoqWujSiYZM6ujnuK" data-name="The Call of the Iron Peak">The Call of the Iron Peak</a>’. The concept of liminal space itself is a not necessarily pleasant state of mind where you left behind your old life, but new doors haven’t exactly opened just yet.

While still true to his solo artist roots, delivering gut-wrenching melodies of darkness and beauty on his own, Makó needed an expansion to his universe. With the addition of long-time friend and former bandmate Gáspár Binder on drums and a live keyboard player, he finally took the much needed step forward and ‘Vidékek vannak idebenn’ portrays the next sonic phase of The Devil’s Trade.

A soundtrack to the next phase of his life. A soundtrack to souls stuck in liminal space, hungry to adapt to new realities and to grow further, outside the boundaries which so often shackle them.

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