The Lion's Daughter

Some creations are designed to elicit nightmares, evoking unspeakable terrors that are meant to shock, terrify, and mesmerize the masses. Since the release of its first full-length in 2012, The Lion’s Daughter has consistently put forth music that is just as disturbing as it is enticing, making a name for itself as a dark force among its musical contemporaries. And much like an eldritch horror, the band is constantly shape shifting like a Shoggoth, capable of fitting into many different musical spaces, while at the same time, fitting into no earthly dimensions just as an ancient alien rising up from centuries of arctic slumber with a mission to destroy and conquer.

And much like the Shoggoth, The Lion’s Daughter have defied all gods and masters, releasing its latest opus as an independent entity, breaking away from the corporate confines of a label. ‘Bath House’ is another generically unclassified masterpiece from the St. Louis horror quartet, pulling elements from everything from Faith No More to Godflesh to Samhain, creating a sound that’s way ahead of its time and yet certain to grab the listener by the throat.

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