The Textones

While they first found an audience as part of the Los Angeles New Wave scene of the late '70s and '80s, the Textones were a band that were less interested in upending tradition than embracing the glories of America's musical past. Led by vocalist, guitarist, and songwriter <a href="spotify:artist:49WjVNcAl8FWw61Ana3Wxl">Carla Olson</a>, the Textones were strongly influenced by vintage folk-rock, classic rock of the '60s, and country rock; their sound anticipated the roots rock and Americana movements that would rise in later decades, and their heartfelt, passionate sound was informed by acts like <a href="spotify:artist:2UZMlIwnkgAEDBsw1Rejkn">Tom Petty</a>, <a href="spotify:artist:3eqjTLE0HfPfh78zjh6TqT">Bruce Springsteen</a>, and heartland rock artists as much as their peers on the West Coast club circuit. The Textones' first recordings had a wiry, garage-rock edge to them, particularly their debut single for <a href="spotify:search:label%3A%22Chiswick%22">Chiswick</a>, but the more polished and earnest approach that would be their hallmark was firmly in place when they cut their debut album, 1984's Midnight Mission, while they embraced a more rootsy and personal perspective on 1987's Cedar Creek.

The Textones were formed in Austin, Texas in 1978 by two singer/songwriters and guitarists, <a href="spotify:artist:49WjVNcAl8FWw61Ana3Wxl">Carla Olson</a> and <a href="spotify:artist:1NqYS3IXONLV0ZOmKOjbml">Kathy Valentine</a>. The two friends, who had briefly been members of the Austin punk band <a href="spotify:artist:01DgWnCXQI2ZsQBDoPsKXM">the Violators</a>, decided they wanted to start a band of their own, and flipped a coin over whether they should head to New York or Los Angeles to put their plan into motion. Los Angeles won, and the pair soon headed west. Once settled, <a href="spotify:artist:49WjVNcAl8FWw61Ana3Wxl">Olson</a> and <a href="spotify:artist:1NqYS3IXONLV0ZOmKOjbml">Valentine</a> recruited a rhythm section -- bassist David Provost, who had played in <a href="spotify:artist:1ZikppG9dPedbIgMfnfx8k">Ike & Tina Turner</a>'s road band, and Markus Cuff, a drummer who had worked with <a href="spotify:artist:5s6TJEuHTr9GR894wc6VfP">Emmylou Harris</a>. The Textones began gigging regularly on the L.A. club circuit, and they released a pair of 7"s in 1980 -- a three-song EP for the U.K. label <a href="spotify:search:label%3A%22Chiswick%22">Chiswick</a> (a cover of <a href="spotify:artist:2UZMlIwnkgAEDBsw1Rejkn">Tom Petty</a>'s "I Can't Fight It" b/w <a href="spotify:artist:1NqYS3IXONLV0ZOmKOjbml">Valentine</a>'s "Vacation" and <a href="spotify:artist:49WjVNcAl8FWw61Ana3Wxl">Olson</a>'s "The Time Is Right"), and a single for <a href="spotify:search:label%3A%22Faulty+Products%22">Faulty Products</a> (<a href="spotify:artist:1NqYS3IXONLV0ZOmKOjbml">Valentine</a>'s "Some Other Girl" and <a href="spotify:artist:49WjVNcAl8FWw61Ana3Wxl">Olson</a>'s "Reason to Leave"). By the end of 1980, <a href="spotify:artist:1NqYS3IXONLV0ZOmKOjbml">Valentine</a> left the Textones and joined <a href="spotify:artist:2mG8HHQ9S9kcbjcrb5N1FE">the Go-Go's</a>; their debut album, 1981's Beauty and the Beat, became a massive success, and <a href="spotify:artist:1NqYS3IXONLV0ZOmKOjbml">Valentine</a> reworked the song "Vacation" as the title song for their 1982 sophomore LP.

<a href="spotify:artist:1NqYS3IXONLV0ZOmKOjbml">Valentine</a>'s departure was just the first in a number of personnel changes for the Textones. First, the band added a sax player Tom Junior Morgan, and next they brought in a new lead guitarist, George Callins, whose style was steeped in the blues. And eventually the rhythm section also turned over, with Joe Read taking over on bass and <a href="spotify:artist:2ut1VNKTLERpjYf2uljNWn">Phil Seymour</a>, formerly of <a href="spotify:artist:6IpcPRU1kV0J58kd2w8vSC">the Dwight Twilley Band</a>, on drums and harmony vocals. It was this edition of the Textones that landed a deal with the <a href="spotify:search:label%3A%22A%26M%22">A&M</a>-distributed <a href="spotify:search:label%3A%22Gold+Mountain%22">Gold Mountain</a> label, which released their first album, Midnight Mission, in 1984. The album reflected the more polished sound and politically conscious direction the Textones had taken since <a href="spotify:artist:1NqYS3IXONLV0ZOmKOjbml">Valentine</a>'s departure, especially on the title track, which became a minor hit thanks to radio and MTV play. The band toured extensively in the United States and Europe, but changes were in store. First <a href="spotify:artist:2ut1VNKTLERpjYf2uljNWn">Phil Seymour</a> dropped out of the Textones following their European tour when he was diagnosed with lymphoma, then <a href="spotify:search:label%3A%22Gold+Mountain%22">Gold Mountain</a> lost their distribution deal with <a href="spotify:search:label%3A%22A%26M%22">A&M</a>, and <a href="spotify:search:label%3A%22MCA+Records%22">MCA Records</a>, who was now handling the label, didn't put the same promotional push behind the group. After bringing aboard drummer Rick Hemmert, the Textones recorded and released a second album, 1987's Cedar Creek, which found <a href="spotify:artist:49WjVNcAl8FWw61Ana3Wxl">Olson</a> exploring more personal themes in her lyrics and putting a greater emphasis on their roots- music influences.

During the same period when Cedar Creek was written and recorded, <a href="spotify:artist:49WjVNcAl8FWw61Ana3Wxl">Olson</a> began collaborating with <a href="spotify:artist:040Bv6cZTRh30LyyYVXgJX">Gene Clark</a>, the celebrated singer/songwriter who had been a founding member of <a href="spotify:artist:1PCZpxHJz7WAMF8EEq8bfc">the Byrds</a>. Originally, the two were passing songs back and forth at informal get-togethers among musicians, and discovered they were on the same page musically. This led to a handful of live performances with <a href="spotify:artist:49WjVNcAl8FWw61Ana3Wxl">Olson</a> joining <a href="spotify:artist:040Bv6cZTRh30LyyYVXgJX">Clark</a> on-stage, and the two recorded a duo album, So Rebellious a Lover, which was issued in 1987. The album was a hit with critics and sold well enough to become <a href="spotify:artist:040Bv6cZTRh30LyyYVXgJX">Clark</a>'s biggest commercial success as a solo artist. With interest in the Textones fading, the press embracing <a href="spotify:artist:49WjVNcAl8FWw61Ana3Wxl">Olson</a>'s album with <a href="spotify:artist:040Bv6cZTRh30LyyYVXgJX">Clark</a>, and <a href="spotify:artist:49WjVNcAl8FWw61Ana3Wxl">Olson</a> briefly sidelined by health problems related to diabetes, the Textones went their separate ways, and in 1989, <a href="spotify:artist:49WjVNcAl8FWw61Ana3Wxl">Olson</a> released her first solo album, simply titled Carla Olson. Two collections of rare and unreleased Textones material would appear in 1989 in the wake of their layoff, Back in Time and Through the Canyon. From the '90s onward, <a href="spotify:artist:49WjVNcAl8FWw61Ana3Wxl">Olson</a> divided her time between solo work, collaborations with former <a href="spotify:artist:22bE4uQ6baNwSHPVcDxLCe">Rolling Stones</a> guitarist <a href="spotify:artist:4tkgLX1wdWoOu2lyeQNYAi">Mick Taylor</a>, and producing sessions for other artists, including former <a href="spotify:artist:5670CyWrIOA7702gNjsGMZ">Manfred Mann</a> vocalist <a href="spotify:artist:1I41xgLiwTZvdFsOSgGMvs">Paul Jones</a>, ex-<a href="spotify:artist:6qyfxCyE6JsPkcGVIOPpyl">Electric Flag</a> keyboard player <a href="spotify:artist:1ZgAaa9V4Uy5IqW95mIBGm">Barry Goldberg</a>, blues guitarist <a href="spotify:artist:5MPJKwuEzyWgfueKrogllD">Joe Louis Walker</a>, and actress turned singer/songwriter <a href="spotify:artist:6wCBv5RiL3RRvkogMR51YL">Mare Winningham</a>. A Textones show recorded for radio broadcast on the Midnight Mission tour received a belated release in 2008 as Detroit '85: Live & Unreleased. However, <a href="spotify:artist:49WjVNcAl8FWw61Ana3Wxl">Olson</a> always insisted the Textones had never really broken up, and in the 2010s, she and her bandmates began working together again. In 2018, the same line-up of the band that recorded Cedar Creek reunited for the Textones' third studio album, Old Stone Gang. ~ Mark Deming, Rovi