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TK &amp; The Holy Know-Nothings was borne out of frontman <a href="spotify:artist:5wGlHrAACNggSVK1Qgsmbv" data-name="Taylor Kingman">Taylor Kingman</a>’s desire to create a loose, groove-heavy bar band, but never at the expense of good, honest songwriting. To do so, he pulled together his dream lineup, consisting of drummer Tyler Thompson and multi-instrumentalists <a href="spotify:artist:3bZzgS1jnyriat0SezMNr3" data-name="Jay Cobb Anderson">Jay Cobb Anderson</a> (lead guitar, harmonica), <a href="spotify:artist:2LvoOeP8hIC65LNOVpFEGS" data-name="Lewi Longmire">Lewi Longmire</a> (bass, guitar, pedal steel, flugelhorn) and Sydney Nash (keys, bass, slide guitar, cornet). It’s a band of deeply contrasting styles buoyed by a sincere and palpable mutual trust–one that allows them to find and lose the groove with the same ease. They build graceful, spaced-out landscapes around Kingman’s storytelling–his voice ragged and broken one moment and raging the next–only to deconstruct them through a fit of manic and often dissonant rabbit holes. They’ve created irreverent rock and roll where nothing is sacred because everything is sacred. There’s is a sound lovingly dubbed “psychedelic doom boogie” with a groove that’s tempered and deepened by Kingman’s stubborn devotion to the unglorified truth of things.

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