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Uzimoto has been collecting fragments and pieces of audible work for nearly a decade. He kept some of his minimal-pop gems in his head, while others were captured on portable recorders or saved as phone recordings following bike rides across Berlin or jaunts up staircases. Formerly a member of too many this-and-that music groups (a.o <a href="spotify:artist:0o4KUHA5N6XZLruNTZxtoM" data-name="EGONX">EGONX</a>, <a href="spotify:artist:2hH7wh6Sk5rJwOV09qGUPL" data-name="Tanning Bats">Tanning Bats</a>, <a href="spotify:artist:74ORV6BV6ZQSWj951ecoSe" data-name="Skeleton Glove">Skeleton Glove</a>) - punk bands that never rested for too long on their laurels. These roots in DIY music coalesced around this oddball’s coming-of-age musical journey, embroidering skin and tendons to reveal their true self, a boundary-free freak-beat hit-machine.
Channeling the soul of an ethereal, obscure minimalist striving for immense, illuminating moments, Uzi reveals the sheer contrast between his ruthless hyper-punk-kiddo by nature and tender, delicate personality. The compositions are live, radiant, and ready to go—cued on samplers and Casio keyboards at his fingertips, stitched together and performed without ever really knowing what will emerge.
“I’m not sure what I’m after on this journey.
Once I find it then I’m out”
Channeling the soul of an ethereal, obscure minimalist striving for immense, illuminating moments, Uzi reveals the sheer contrast between his ruthless hyper-punk-kiddo by nature and tender, delicate personality. The compositions are live, radiant, and ready to go—cued on samplers and Casio keyboards at his fingertips, stitched together and performed without ever really knowing what will emerge.
“I’m not sure what I’m after on this journey.
Once I find it then I’m out”
