Last updated: 5 days ago
Who Will Meet Me at the Gates is the latest installment in the ever-expanding universe of The Inevitables. Initially conceived as a soundtrack album and comic book, The Inevitables is evolving into a multilayered, multimedia project that extends into toys, art, and branded collectibles. On October 16 the first single, “Good Grief” drops from a new five-song acoustic EP, featuring a veritable punk rock supergroup featuring members of Pears, Less Than Jake, The Jeff Rosenstock Band, Big D and the Kids Table, and Westbound Train.
“Good Grief” weaves expert musicianship by blending a folk punk vibe with indie rock and deals with existential questions and the search for hope for the future. To bring this musical vision to life, Vinnie Fiorello, Alex Stern, and Obi Fernandez tapped Zach Quinn of Pears to act as the voice of Who Will Meet Me at the Gates.
As with the rest of the Inevitables project, the group was not satisfied stopping with music. For the graphic side of the concept, they brought in Portland-based artist Tomo77 to lend a visual experience to the songs. The result is a 6-print series reflecting the impact of the pandemic amid a tumultuous and changing social and racial landscape. Rendered in isolation, Tomo77’s images explore themes of racism, police brutality and a society in the throes of political chaos and disease, entwined with symbolism reminiscent of the middle ages. The art will be made available in a limited run of numbered and embossed prints.
“Good Grief” weaves expert musicianship by blending a folk punk vibe with indie rock and deals with existential questions and the search for hope for the future. To bring this musical vision to life, Vinnie Fiorello, Alex Stern, and Obi Fernandez tapped Zach Quinn of Pears to act as the voice of Who Will Meet Me at the Gates.
As with the rest of the Inevitables project, the group was not satisfied stopping with music. For the graphic side of the concept, they brought in Portland-based artist Tomo77 to lend a visual experience to the songs. The result is a 6-print series reflecting the impact of the pandemic amid a tumultuous and changing social and racial landscape. Rendered in isolation, Tomo77’s images explore themes of racism, police brutality and a society in the throes of political chaos and disease, entwined with symbolism reminiscent of the middle ages. The art will be made available in a limited run of numbered and embossed prints.