Last updated: 4 days ago
In current times, how should mental disability be dealt with in an unrestrained, open-minded way? How can we take on this difference not as a barrier but as an opportunity? By directly confronting its creative force and abounding energy. And what better place for this than on a stage, where disability ceases to be a “negative” and becomes a “positive”, finally revealing exceptionally strong human beings, without any blinders or artifices.
From experimental group Les Harry’s, to hip-hop collective Choolers Division, to the multifaceted projects of Atelier Méditerranée (now BRUT POP), many are the initiatives that have explored this channel in recent years, arousing the interest of an audience not always prepared for the intensity of such a world. One of the most memorable initiatives being at the Sur Les Rails mini-festival, created by Atelier Méditerranée in Paris in 2014. When a handful of lucky few got to discover the Wild Classical Music Ensemble: Linh Pahm, Johan Geenens, Wim Decoene and Sebastien Faidherbe, four mentally disabled persons, led by the Belgian musician and violin-maker Damien Magnette. That evening they delivered a brutal, wild and Promethean concert to a stunned audience.
From experimental group Les Harry’s, to hip-hop collective Choolers Division, to the multifaceted projects of Atelier Méditerranée (now BRUT POP), many are the initiatives that have explored this channel in recent years, arousing the interest of an audience not always prepared for the intensity of such a world. One of the most memorable initiatives being at the Sur Les Rails mini-festival, created by Atelier Méditerranée in Paris in 2014. When a handful of lucky few got to discover the Wild Classical Music Ensemble: Linh Pahm, Johan Geenens, Wim Decoene and Sebastien Faidherbe, four mentally disabled persons, led by the Belgian musician and violin-maker Damien Magnette. That evening they delivered a brutal, wild and Promethean concert to a stunned audience.
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