Last updated: 7 hours ago
Will Fox’s new offering, “Metal in the Microwave” invites the raincloud to tea. The adornment of his melodic folk with honeyed warmth is something to sit down with until it’s been absorbed. Brimming with mastery, the album holds feasts of arrangements, bringing simplicity and intricacy together, blending the dualities and their powers into a perfect order.
With emotion of purpose, we hear Fox shimmer through the small deaths of an artist, unearthing fresh theory and panning for a “different kind of love.” Suggesting a soft cope and wielding an unguarded view, he brings us through self-editing vortexes, stumbling into enlightenments and reserving for himself the potential for change. His philosophies and hopes are delivered to us via alluring texture, from a voice of mist and constancy.
Unfolding into a portrait of time signatures and tempos, each song grazes on a broad panorama of sentiment. From this designed vista we daydream, rolling on his river hypnotic until the undulations burst into outros of surprise: sometimes angelic infinities, sometimes an off-leash drum solo, sometimes a jazz guitar. The album masters its aim of feeling with opaque lacquers of wildness and gentleness, range and finesse. Proving himself wrong, it turns out he can “make a good thing last.”
- Ry Welch
With emotion of purpose, we hear Fox shimmer through the small deaths of an artist, unearthing fresh theory and panning for a “different kind of love.” Suggesting a soft cope and wielding an unguarded view, he brings us through self-editing vortexes, stumbling into enlightenments and reserving for himself the potential for change. His philosophies and hopes are delivered to us via alluring texture, from a voice of mist and constancy.
Unfolding into a portrait of time signatures and tempos, each song grazes on a broad panorama of sentiment. From this designed vista we daydream, rolling on his river hypnotic until the undulations burst into outros of surprise: sometimes angelic infinities, sometimes an off-leash drum solo, sometimes a jazz guitar. The album masters its aim of feeling with opaque lacquers of wildness and gentleness, range and finesse. Proving himself wrong, it turns out he can “make a good thing last.”
- Ry Welch
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