Youenn Lerb

Since 2018, <a href="spotify:artist:4ArGhR7A3mopGfIZuhushI" data-name="Youenn Lerb">Youenn Lerb</a> sails away from pop music where he came from, moving between music for science documentaries to drama sound design and musical comedy. Changing its sound to suit artistic needs, he produced as much symphonic musique as post-rock and electronic stuffs.

His first soundtrack <a href="spotify:album:0YoikINdXIYIXfezpWBPh4" data-name="Synthèse (Original Play Soundtrack)">Synthèse (Original Play Soundtrack)</a> has set a unique way of translating the most elegiac of human emotions. He confirms this artistic direction with the <a href="spotify:album:0tVgaP5jlFRgYocnsxNtxU" data-name="Lovecraftian Soundscapes, Vol. 1 : In Tenebris Omnia">Lovecraftian Soundscapes, Vol. 1 : In Tenebris Omnia</a> , an album inspired by the short novels of the horror-fantasy author.

While he depicts dark worlds with one hand, the other brings light and color. Music albums for scientific documentaries such as <a href="spotify:album:2LVsnid1ZCoIG8KsDSsAsi" data-name="Cell Worlds - Mondes Cellulaires">Cell Worlds - Mondes Cellulaires</a> or <a href="spotify:album:4x4PM1fBrxziSlHAY7yyPv" data-name="Méandres (Original Score from the Series)">Méandres (Original Score from the Series)</a> offer an opposite perspective on <a href="spotify:artist:4ArGhR7A3mopGfIZuhushI" data-name="Youenn Lerb">Youenn Lerb</a>&#39;s imagination. In the end, this duality can be found in more recent pop songs, such as the EP <a href="spotify:album:0SQDSP8UyS93inTV2tqMdY" data-name="It&#39;s a Pleasure to Meet You, but Don&#39;t Be Late">It&#39;s a Pleasure to Meet You, but Don&#39;t Be Late</a> , the single <a href="spotify:track:5JhrxqmbrK080x2AbhxZZM" data-name="Home">Home</a> written with <a href="spotify:artist:6wx08H9LZLWjuj6gYySyzX" data-name="Adrian Ström">Adrian Ström</a>, and his band <a href="spotify:artist:1PkTsAVQCwQ4u7PqD5QSmH" data-name="Pléiade·s">Pléiade·s</a>.