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Genre

bedroom pop

Top Bedroom pop Artists

Showing 25 of 209 artists
1

623,418

1.6 million listeners

2

352,186

1.5 million listeners

3

175,476

1.4 million listeners

4

1.3 million

1.4 million listeners

5

707,549

1.3 million listeners

6

157,083

1.2 million listeners

7

66,706

1.1 million listeners

8

132,099

964,055 listeners

9

550,022

890,766 listeners

10

128,699

881,360 listeners

11

298,886

869,699 listeners

12

129,959

678,983 listeners

13

69,242

663,868 listeners

14

212,123

659,075 listeners

15

531,845

643,404 listeners

16

78,663

552,135 listeners

17

109,918

550,055 listeners

18

476,725

477,831 listeners

19

261,832

457,991 listeners

20

180,212

451,111 listeners

21

12,407

438,112 listeners

22

147,570

436,824 listeners

23

297,127

430,637 listeners

24

69,991

426,833 listeners

25

255,417

412,824 listeners

About Bedroom pop

Bedroom pop is a music genre defined by intimate, lo-fi aesthetics produced in home studios, with vocals that feel like they’re whispering directly to you. It often features simple, tuneful melodies, warm analog tones, minimal percussion, and a willingness to foreground mood and honesty over showroom polish. Think DIY charm, dusty reverb, and songs that feel like diary entries set to song.

The genre grows out of the late 2000s DIY indie and lo-fi scenes, and it really took shape in the early 2010s as bedroom-recording became more accessible. Affordable software, cheap interfaces, and platforms like Bandcamp and SoundCloud allowed artists to release self-recorded tracks without a traditional label. Journalists began labeling these intimate, home-produced sounds as “bedroom pop,” a term that captured both the sonic texture and the setting in which the music often began life.

Pioneers and ambassadors of the sound include a mix of forward-thinking producers and singer-songwriters. Ariel Pink’s lo-fi, collage-like approach in the late 2000s helped frame the aesthetic. Alex G (Sandy Alex G) became a touchstone for delicate guitar work and blunt, personal lyrics. Homeshake, the project of Peter Sagar, translated the vibe into sittable, softly funked-out indie music. In the next wave, Clairo broke through in 2017 with Pretty Girl, releasing her debut as a viral bedroom-pop sensation and signaling the genre’s mainstream potential. Gus Dapperton and Rex Orange County carried the intimacy into pop-friendlier territory, while Beabadoobee emerged as a defining voice of the mid-late 2010s with a spiky blend of earnest lyricism and throwback indie pop. These artists, among others, remain touchstones for the genre’s ethos: you can capture a feeling with a modest setup, and that feeling can travel far.

Geographically, bedroom pop became a global conversation, thriving wherever the internet connected listeners to artists. It has strong scenes in the United States and United Kingdom, with vibrant clusters in Scandinavia, Australia, Canada, and parts of Europe. Countries across Asia and Latin America have also contributed to the tapestry, often via independent labels, online collectives, and international collaborations. The movement’s reach is less about national scenes and more about a shared aesthetic: raw vocal intimacy, imperfect but emotionally direct production, and an emphasis on candid, everyday moments.

In contemporary discourse, bedroom pop often sits at the crossroads of indie pop, lo-fi, and singer-songwriter traditions. It has influenced a new generation of artists who feel empowered to create, release, and promote music from their own rooms. The genre’s appeal lies in its honesty, its tactile warmth, and its promise that a song can begin in a quiet corner of a house and end up resonating with listeners around the world.