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Genre

disco house

Top Disco house Artists

Showing 25 of 1,371 artists
1

309,142

10.5 million listeners

2

865,777

8.4 million listeners

3

79,538

8.2 million listeners

4

318,200

6.2 million listeners

5

141,912

6.2 million listeners

6

153,353

4.1 million listeners

7

69,955

2.7 million listeners

8

49,400

2.6 million listeners

9

129,663

2.3 million listeners

10

63,569

1.8 million listeners

11

92,745

1.7 million listeners

12

170,635

1.7 million listeners

13

73,240

1.5 million listeners

14

14,885

1.5 million listeners

15

33,472

1.4 million listeners

16

20,284

1.4 million listeners

17

26,495

1.3 million listeners

18

161,951

1.3 million listeners

19

41,666

1.3 million listeners

20

92,800

1.2 million listeners

21

36,368

1.1 million listeners

22

62,732

1.1 million listeners

23

103,311

1.1 million listeners

24

44,784

1.0 million listeners

25

126,482

968,254 listeners

About Disco house

Disco house is a radiant fusion of two timeless dance-floor languages: disco’s buoyant, orchestral sensibility and house music’s steady, four-on-the-floor propulsion. It emphasizes groove, warmth, and groove-forward arrangements, using disco-era basslines, strings, piano stabs, and soulful vocal hooks layered over modern club-ready kicks and metronomic drum programming. The result is a sound that feels both endearing and club-ready—immediate, party-friendly, and capable of taking a track from car-park to main room in a single build.

Born in the late 1990s and blossoming through the early 2000s, disco house grew out of European and North American club cultures that were hungry for a revival of disco’s dancefloor magic without sacrificing the modernity of house. Producers in cities with deep dance traditions—Paris, London, Berlin, New York—began blending classic disco loops with contemporary house frameworks. The movement rode the broader wave of nu-disco and revivalist labels, but kept a distinct emphasis on the floor—hooks, vibe, and velocity that could fill a room from 120 to 126 BPM with a smile.

What you hear in disco house is a composer's love letter to the 1970s and early 80s, reimagined through the lens of 4/4 basslines and polished contemporary production. Expect lush strings and horn arrangements, glittering synth flourishes, punchy bass guitars, and sparkling piano or clavinet lines. Vocals often lean soulful or disco-diva in spirit, either sampled or performed anew, but always integrated in a way that serves the groove rather than interrupting it. The genre places great emphasis on vibe and groove continuity, with tracks designed for extended club play, late-night remixes, and dance-floor storytelling.

Among its ambassadors and influential figures, you’ll find a cross-generational mix. French maestros Dimitri from Paris and Joakim championed disco-infused house with a flair for tasteful edits and remix culture. Norway’s Todd Terje became a global touchstone for the modern disco revival, bringing glossy, dancefloor-ready textures that bridged old-school groove with contemporary production. The American duo Masters at Work (Louie Vega and Kenny Dope) helped blaze a path for disco-flavored house with their warm basslines and soulful arrangements. Armand Van Helden, Arnaldo, and a host of Defected and King Street Sounds releases also carried the disco vibe forward, keeping the bridge between classic disco and current club sensibilities intact.

Disco house remains especially popular in the United Kingdom, France, Germany, Italy, and the broader European club circuit, with strong scenes in Japan and the United States as well. It thrives in festival stages, late-night residencies, and labels devoted to dance-floor revival and modern house sounds. In recent years, the distinction between disco house and nu-disco has blurred, as producers borrow freely from both, but the core ethos remains: dance-floor energy, a warm, human feel, and a groove that invites everyone to move. For music enthusiasts, disco house is a vivid reminder that history can be felt in the bassline—and that the best club music can sound both nostalgic and future-facing at once.