Genre
electronic
Top Electronic Artists
Showing 25 of 106 artists
About Electronic
Electronic music is a broad, evolving umbrella for music created with electronic instruments, digital processing, and computer-based production. It covers a spectrum from arpeggiated techno and booming house to ethereal ambient and glitchy IDM, appealing to enthusiasts who relish sound design as much as melody.
Origins and birth: The roots reach back to early 20th-century experiments, but electronic music as a concert and studio practice took real shape in the postwar era. Pierre Schaeffer’s Musique concrète (late 1940s) manipulated recorded sounds; in the 1950s and 60s, European studios (notably Cologne’s WDR) fostered Elektronische Musik under visionary composers like Stockhausen. The invention of accessible synthesizers in the 1960s—Moog and others—introduced programmable timbres and new expressive vocabularies. Kraftwerk, formed in the early 1970s in Germany, crystallized a minimalist, machine-forward aesthetic that would inspire countless strands of electronic music. By the late 1970s and 1980s, Giorgio Moroder’s synth-drenched disco, Brian Eno’s ambient experiments, and the rise of house and techno in American cities like Chicago and Detroit helped push electronic music onto the world stage. The 1990s and 2000s saw rapid diversification: trance and big-room anthems on the charts, IDM and experimental electronics in clubs and labels, and a global festival circuit that connected disparate scenes.
Ambassadors and key artists: Kraftwerk remain the canonical ambassadors—pioneers whose synthetic, melodic approach defined countless subgenres. Giorgio Moroder’s production revolutionized disco with pulsating synths. In the UK, Aphex Twin, Autechre, and Squarepusher expanded the experimental edge of electronic music; Underworld helped choreograph cinematic club experiences; Daft Punk brought sleek French house to worldwide audiences. Brian Eno’s ambient records reframed the purpose of electronic sound, while contemporary names like Deadmau5, Skrillex, and Björk demonstrate electronic music’s ongoing versatility across genres. Across Asia, Japan’s and Korea’s scenes push inventive hybrids, while in North America, cities like Detroit, Chicago, and New York remain touchstones for techno, house, and bass-centric styles.
Countries and popularity: Electronic music has become a global language, but it took strong roots in Europe—Germany, the United Kingdom, France, the Netherlands, and Italy—where club culture and label ecosystems thrived. The United States expanded electronic music’s footprint with Detroit techno, Chicago house, and later mainstream EDM and festival culture. Japan and Korea sustain influential scenes with distinct flavors, and Australia, Canada, and many other regions maintain vibrant communities. Today, electronic music thrives through streaming, touring, and the continued development of hardware and software that invite enthusiasts to shape sound from the inside out.
Origins and birth: The roots reach back to early 20th-century experiments, but electronic music as a concert and studio practice took real shape in the postwar era. Pierre Schaeffer’s Musique concrète (late 1940s) manipulated recorded sounds; in the 1950s and 60s, European studios (notably Cologne’s WDR) fostered Elektronische Musik under visionary composers like Stockhausen. The invention of accessible synthesizers in the 1960s—Moog and others—introduced programmable timbres and new expressive vocabularies. Kraftwerk, formed in the early 1970s in Germany, crystallized a minimalist, machine-forward aesthetic that would inspire countless strands of electronic music. By the late 1970s and 1980s, Giorgio Moroder’s synth-drenched disco, Brian Eno’s ambient experiments, and the rise of house and techno in American cities like Chicago and Detroit helped push electronic music onto the world stage. The 1990s and 2000s saw rapid diversification: trance and big-room anthems on the charts, IDM and experimental electronics in clubs and labels, and a global festival circuit that connected disparate scenes.
Ambassadors and key artists: Kraftwerk remain the canonical ambassadors—pioneers whose synthetic, melodic approach defined countless subgenres. Giorgio Moroder’s production revolutionized disco with pulsating synths. In the UK, Aphex Twin, Autechre, and Squarepusher expanded the experimental edge of electronic music; Underworld helped choreograph cinematic club experiences; Daft Punk brought sleek French house to worldwide audiences. Brian Eno’s ambient records reframed the purpose of electronic sound, while contemporary names like Deadmau5, Skrillex, and Björk demonstrate electronic music’s ongoing versatility across genres. Across Asia, Japan’s and Korea’s scenes push inventive hybrids, while in North America, cities like Detroit, Chicago, and New York remain touchstones for techno, house, and bass-centric styles.
Countries and popularity: Electronic music has become a global language, but it took strong roots in Europe—Germany, the United Kingdom, France, the Netherlands, and Italy—where club culture and label ecosystems thrived. The United States expanded electronic music’s footprint with Detroit techno, Chicago house, and later mainstream EDM and festival culture. Japan and Korea sustain influential scenes with distinct flavors, and Australia, Canada, and many other regions maintain vibrant communities. Today, electronic music thrives through streaming, touring, and the continued development of hardware and software that invite enthusiasts to shape sound from the inside out.