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Genre

hip hop

Top Hip hop Artists

Showing 25 of 77 artists
1

16.3 million

29.9 million listeners

2

23.2 million

28.2 million listeners

3

13.2 million

26.7 million listeners

4

15.5 million

23.7 million listeners

5

2.7 million

23.5 million listeners

6

3.9 million

23.4 million listeners

7

2.3 million

18.2 million listeners

8

3.2 million

13.7 million listeners

9

2.0 million

9.6 million listeners

10

1.5 million

9.4 million listeners

11

5.1 million

8.5 million listeners

12

2.8 million

7.6 million listeners

13

6.0 million

7.5 million listeners

14

3.9 million

6.5 million listeners

15

2.5 million

6.4 million listeners

16

2.0 million

6.1 million listeners

17

3.1 million

5.4 million listeners

18

3.8 million

5.4 million listeners

19

2.4 million

5.2 million listeners

20

6.1 million

5.2 million listeners

21

2.4 million

4.6 million listeners

22

801,323

4.3 million listeners

23

2.4 million

4.2 million listeners

24

841,353

3.8 million listeners

25

1.6 million

3.7 million listeners

About Hip hop

Hip hop is more than a genre; it is a global cultural movement that grew from the streets of the Bronx in New York during the early 1970s. Born out of party culture, it fused DJing, MCing, breakdancing, and graffiti into a multifaceted urban art form. The origin story centers on block parties where DJs extended the break sections of funk records, looping them to keep dancers moving. Kool Herc, Grandmaster Flash, and Afrika Bambaataa are often named as foundational pioneers, while the “four elements” framework—DJing, rapping, breakdancing, and graffiti—became the core identity of hip hop, later joined by fashion, language, and entrepreneurship.

In the late 1970s and early 1980s, hip hop began to reach a wider audience. Sugarhill Gang’sRapper’s Delight (1979) helped introduce rap to mainstream radio and, eventually, MTV. Grandmaster Flash and the Furious Five’s The Message (1982) added social realism to the sound, while Run-DMC’s hard-edged ethos and collaborations with rock (Aerosmith’s Walk This Way) pushed hip hop into a broader musical dialogue. The late 1980s and early 1990s are often called the genre’s golden age, marked by rapid lyricism, inventive sampling, and regional diversity. Ambassadors of this era include Public Enemy, KRS-One, Eric B. & Rakim, A Tribe Called Quest, and the Wu-Tang Clan, Nas, and the Notorious B.I.G. in the United States, with each act expanding what hip hop could talk about and how it could sound.

Regional evolution gave hip hop new flavors. The West Coast brought G-funk and stark realism through artists like N.W.A and Dr. Dre, while the South began to shape its own voice with acts such as OutKast, Lil Wayne, T.I., and juicier, more muscular production. The 2000s saw a wave of experimentation and crossover appeal, as producers and rappers blurred lines with pop, soul, and electronic textures. The 2010s, dominated by trap, brought new cadences, heavier 808s, and a global surge of rappers such as Future, Migos, and Young Thug, while artists like Kendrick Lamar, J. Cole, and, later, Drake pushed rap toward more concept-driven storytelling and mainstream relevance.

Hip hop is now arguably the most influential global music culture. It enjoys enormous popularity in the United States and Canada, but its reach extends to the United Kingdom, France, Germany, Spain, and many other European scenes; Africa has thriving scenes across Nigeria, South Africa, and beyond, often blending hip hop with local rhythms. In Asia, Japan and South Korea have robust hip hop communities; Latin America and the Caribbean have vibrant scenes as well, merging indigenous sounds with rap. The genre continually evolves through subgenres such as boom bap, trap, conscious rap, lo-fi, drill, and beyond, while influencing fashion, dance, visual art, and social discourse.

For music enthusiasts, hip hop remains a living archive of innovation: it is the art of turning experiences into rhyme, beats into movement, and communities into a shared language that travels across borders.