Music Metrics Vault

Indie pop

Most popular artists in Indie pop

This chart is based on the monthly listeners metric for all artists tagged with the genre indie pop by Spotify. It may contain some errors or some data may not be up to date. You can check the artist profile to update data if necessary.

# Artist Monthly Listeners Followers
1
17,455,021
3,489,960
2
Chappell Roan
15,935,209
742,734
3
15,718,376
7,175,975
4
14,400,866
4,747,182
5
10,895,732
916,609
6
10,496,205
1,087,213
7
10,022,882
2,364,137
8
9,800,398
666,975
9
9,197,642
1,419,263
10
8,844,246
2,007,258
11
8,438,637
731,038
12
7,986,835
1,805,999
13
7,391,312
551,474
14
6,738,282
1,225,830
15
6,179,748
4,083,573
16
5,206,597
1,918,026
17
4,812,968
476,359
18
4,415,148
885,266
19
4,232,180
915,700
20
4,136,540
792,210
21
4,109,657
1,169,569
22
3,446,666
1,373,871
23
3,226,611
754,783
24
2,896,145
298,958
25
2,770,102
175,007
26
2,729,730
1,019,407
27
Adrianne Lenker
2,679,913
365,302
28
2,603,975
757,962
29
2,265,220
606,734
30
2,144,964
501,772
31
2,125,897
244,685
32
2,017,733
1,706,951
33
1,958,739
530,472
34
1,919,498
558,181
35
1,907,830
695,589
36
1,880,992
245,362
37
1,871,851
296,209
38
1,811,069
366,692
39
1,717,547
455,890
40
Shelly
1,658,040
89,497
41
1,622,663
456,742
42
1,549,691
496,528
43
1,541,208
380,492
44
Kate Bollinger
1,484,830
84,757
45
Leith Ross
1,358,588
249,258
46
1,346,922
259,187
47
1,335,939
1,048,940
48
1,324,952
697,360
49
1,260,398
676,928
50
Julia Jacklin
1,159,778
292,233
51
1,158,667
83,221
52
quinnie
1,096,813
115,474
53
1,077,375
360,199
54
Whitney
1,076,253
266,744
55
Searows
1,059,573
118,804
56
Lucius
1,053,957
176,684
57
Sylvan Esso
1,020,428
560,526
58
Frances Forever
1,012,298
123,869
59
Waxahatchee
1,003,773
207,818
60
Angel Olsen
988,479
477,128
61
983,843
675,784
62
Adam Melchor
957,087
115,228
63
Maya Hawke
929,958
451,137
64
Courtney Barnett
920,484
583,516
65
Soccer Mommy
821,610
375,195
66
Orla Gartland
797,621
248,467
67
Indigo De Souza
724,665
161,762
68
Tennis
657,641
298,226
69
Blondshell
652,749
63,376
70
649,600
75,514
71
HUNNY
594,813
258,732
72
The Greeting Committee
534,841
129,565
73
Jay Som
499,410
129,819
74
Caroline Rose
497,779
121,728
75
The Aces
495,749
287,259
76
Matilda Mann
465,229
86,372
77
The Regrettes
460,268
276,604
78
Barrie
457,477
62,727
79
Jenny Lewis
436,354
194,022
80
Samia
435,127
138,453
81
Camera Obscura
430,943
178,998
82
Maude Latour
429,100
100,231
83
Claud
427,140
121,855
84
Snail Mail
415,145
384,332
85
Rilo Kiley
407,468
227,419
86
Ezra Williams
405,820
43,256
87
Julien Baker
383,333
477,037
88
The Beths
318,126
145,124
89
Harriette
315,010
28,841
90
Dora Jar
309,376
56,497
91
Lunar Vacation
306,037
98,352
92
The Honeysticks
295,280
187,830
93
Better Oblivion Community Center
256,151
127,830
94
Boyish
254,776
44,068
95
Sipper
249,925
31,577
96
Wallice
244,880
58,935
97
Miya Folick
242,838
75,780
98
Sidney Gish
203,952
100,159
99
Babygirl
198,907
46,653
100
Haley Blais
160,188
47,762
101
Sophie Cates
147,028
47,063
102
Annie DiRusso
133,674
48,730
103
Katy Kirby
133,533
30,571
104
POP ETC
121,723
27,154
105
Laura Elliott
118,988
13,966
106
Margaret Glaspy
108,302
69,916
107
girlhouse
91,441
26,939
108
Phoebe Green
56,057
18,210
109
girlpuppy
49,842
17,189
110
Deco
39,437
26,836
111
Eisley
36,267
69,291
112
Natalie Prass
33,247
49,496
113
Michi
26,932
11,356
114
Fosternicole
1,234
257

Some info about indie pop

Indie pop, a subgenre of indie music, radiates a unique blend of whimsical charm and artistic authenticity, primarily emerging in the United Kingdom in the 1980s. While indie music broadly encapsulates a spirit of independence from major commercial record labels, indie pop refines this aesthetic with its melodic, jangly sound that often values quaintness and sincerity over polished, radio-friendly appeal.

The genesis of indie pop can arguably be traced back to the post-punk era, where it diverged from its indie rock sibling with a lighter, more melodic touch. It was heavily influenced by post-punk bands that gravitated towards more melodic and experimental music, moving away from the aggressive sounds of their predecessors. This era saw the push against the mainstream's stringent structures, with bands and artists striving for a more personal connection through music that feature asymmetrical, introspective lyrics coupled with experimental sounds.

One of the hallmark moments in the development of indie pop was the founding of the British independent record label Postcard Records in 1979 by Alan Horne, in Glasgow, Scotland. The label's motto, "The Sound of Young Scotland," became synonymous with fresh, vibrant music. Around the same time, labels like Rough Trade and Creation Records also became significant, championing similar sounds in London and beyond. They facilitated a flourishing environment for bands that would define the genre, such as Orange Juice and The Smiths. The Smiths, in particular, became iconic, with Morrissey’s earnest lyrical stylings and Johnny Marr’s jangly guitar riffs setting a high bar for what indie pop could achieve.

Throughout the 1980s and into the 1990s, indie pop saw waves of variation and influence in different regions. In the United States, bands like R.E.M. and The Breeders contributed to a college rock sound that shared the indie pop ethos, establishing a sector of music that cherished underground, non-mainstream appeal. Meanwhile, in Sweden, bands like The Cardigans, who mixed a sweet pop sensibility with indie style, gained international acclaim, broadening the genre’s appeal and demonstrating its global resonance.

The late 1990s and 2000s witnessed a resurgence and transformation of the genre, adapting to changes in technology, production, and distribution. New bands like Belle and Sebastian from Scotland and Camera Obscura employed classic indie pop elements, such as melodic simplicity and lyrical introspection, blending them with modern sensibilities and broader instrumental palates. These bands maintained close connections with their audiences through more intimate, smaller venues and personal interaction—a key feature of indie pop culture.

Into the 2010s and 2020s, there is a noticeable trend where indie pop overlaps with genres like synth-pop and dream pop. Artists like Alvvays, CHVRCHES, and Tegan and Sara showcase how indie pop integrates electronic elements, proving the genre’s adaptability and enduring appeal. Furthermore, the genre has been embraced around the globe, from the UK and the US to unexpected places like Southeast Asia and Latin America where local bands have infused regional musical influences to shape this globally beloved genre.

The enduring charm of indie pop lies in its dual commitment to musical integrity and avant-garde ingenuity. It attracts listeners who seek out tales of personal experience drenched in clever, often quirky songwriting, and continues to evolve by incorporating new sounds and technologies while staying rooted in its independent origins.