Music Metrics Vault

K-pop boy group

Most popular artists in K-pop boy group

This chart is based on the monthly listeners metric for all artists tagged with the genre k-pop boy group by Spotify. It may contain some errors or some data may not be up to date. You can check the artist profile to update data if necessary.

# Artist Monthly Listeners Followers
1
Block B
777,237
993,287
2
2PM
731,816
854,128
3
EXO-CBX
492,869
2,502,317
4
SF9
339,701
1,702,516
5
VIXX
322,596
934,296
6
TEEN TOP
186,219
398,300
7
HIGH4
140,881
63,870
8
Say Yes!
88,291
5,725
9
Gguggugi
36,871
3,747
10
FANTASY BOYS
36,427
29,004
11
BTOB 4U
33,509
51,676
12
HISTORY
26,187
127,983
13
100%
16,300
171,162
14
NTX
15,180
23,200
15
SUPERKIND
14,236
27,479
16
THE7
13,536
38,353
17
CITI
12,736
10,144
18
SUPER JUNIOR-T
11,966
79,126
19
HALO
11,859
43,320
20
Wanna One - The Heal
11,065
25,550
21
LUNA
10,446
15,172
22
THE MAN BLK
8,732
6,264
23
NewKidd
7,583
44,126
24
Toheart
7,213
29,044
25
H&D
7,159
87,363
26
Wanna One - No.1
6,919
25,956
27
BXB
6,395
25,104
28
Lunafly
6,280
28,800
29
JJCC
4,255
76,572
30
Bz-Boys
4,094
31,036
31
TST
3,974
21,621
32
BLANK2Y
3,624
41,287
33
Under Nineteen
3,490
23,360
34
NIK
3,445
9,223
35
Boombastic
3,442
593
36
Mr. Mr.
3,054
20,364
37
TREI
3,001
14,218
38
DIGNITY
2,996
13,721
39
5tion
2,994
2,118
40
B Of You (B.O.Y)
2,943
23,464
41
HAWW
2,939
17,098
42
MustB
2,738
15,233
43
BTL
2,470
1,758
44
BLK
2,382
1,253
45
UNVS
2,177
22,601
46
JWiiver
2,091
23,227
47
D-CRUNCH
2,016
75,374
48
WE IN THE ZONE
1,939
36,829
49
HyeongseopXEuiwoong
1,913
14,088
50
The Legend
1,913
12,672
51
PATTERN
1,900
6,214
52
INX
1,818
11,028
53
TEAM 7:00
1,785
1,331
54
TEAM 20:00
1,658
446
55
MVP
1,626
9,757
56
Wow
1,617
1,850
57
ARGON
1,576
18,758
58
ABLUE
1,535
10,123
59
X-PIERS
1,457
6,361
60
14U(원포유)
1,387
666
61
N.CUS
1,358
19,024
62
TEAM 15:00
1,333
1,600
63
BLACK LEVEL
1,287
13,081
64
KINGDOM
1,204
353
65
TEEN TEEN
1,181
8,839
66
DIOS
1,167
1,638
67
IB147
1,155
1,270
68
TOPSECRET
1,155
13,614
69
I1IT
1,151
2,485
70
AWEEK
1,144
8,850
71
W.A.O
1,113
4,004
72
DGNA
1,107
2,325
73
VI'ENX
1,100
7,854
74
APR PROJECT
1,080
1,121
75
Tritops
1,037
2,027
76
RoaD-B
1,033
6,301
77
E'LAST U
1,021
20,151
78
HNB
1,020
3,987
79
F.able
1,017
2,444
80
WE:A
1,017
3,356
81
CMDM
1,005
10,353
82
UNIT BLACK
1,001
12,600
83
TEAM 8:00
939
711
84
MEGAMAX
890
5,569
85
Like a Movie
826
5,036
86
N.tic
738
2,951
87
MY.st
698
4,859
88
BEAT WIN
635
23,161
89
BXK
562
2,023
90
HBY
561
2,324
91
D.COY
496
2,962
92
boys24
386
8,565
93
14U
361
5,909
94
ZPZG
276
682
95
NTB
264
5,411
96
FISTBUMP
230
774
97
TEAM 10:00
181
263
98
AQA
136
2,281
99
K-Much
97
11,705
100
ASTIN
91
267
101
FL1X
65
1,222
102
5urprise
53
13,508
103
Road Boyz
19
7,572
104
LIMITLESS
1
7,401

Some info about k-pop boy group

K-pop boy groups represent a powerhouse in the global music landscape, blending catchy hooks, synchronized choreography, and a polished image to capture audiences worldwide. Originating from South Korea, the genre of K-pop itself started gaining momentum in the early 1990s, influenced by a mix of Western popular music, Korean musical elements, and a significant focus on visual performance. The "boy group" facet of K-pop, characterized by all-male groups, reached international stardom in the mid-to-late 2000s and has continued to evolve dramatically.

Historically, one of the earliest progenitors of the K-pop boy group phenomenon was H.O.T., which debuted in 1996. Managed by SM Entertainment, one of South Korea's largest entertainment companies, H.O.T. set the blueprint with their combination of catchy melodies, elaborate dance routines, and fashion statements. Following their success, other notable groups like Sechs Kies, Shinhwa, and g.o.d contributed to the initial wave of popularity that defined the foundational years of K-pop.

The second wave, often referred to as "Hallyu," or the Korean Wave, saw the emergence of groups such as TVXQ, Super Junior, Big Bang, and SHINee in the mid-2000s. These groups began to cultivate significant international followings, particularly in Japan and parts of Southeast Asia. The music during this era incorporated a broader array of genres, melding hip-hop, R&B, and EDM with traditional pop structures.

Modern K-pop boy groups like BTS, EXO, and Seventeen represent the genre's explosion into a global phenomenon. BTS, particularly, has transcended traditional market boundaries, achieving unprecedented success on Western music charts, including the United States and Europe. Their social media presence and engagement on platforms like Twitter and YouTube have played a crucial role in their global reach, resonating with international audiences through themes of self-love, mental health, and social issues.

The production of K-pop involves a rigorous trainee system where aspiring idols undergo extensive training in singing, dancing, acting, and language before debuting. This system is partly what sets K-pop apart in terms of the quality and precision of performances. The visual aspect of K-pop, including meticulously planned music videos and fashion, also contributes significantly to its appeal.

The influence of K-pop boy groups extends beyond music and into broader pop culture, impacting fashion, beauty standards, and social attitudes. They frequently serve as ambassadors for major global brands, contribute to charitable causes, and influence fashion trends across the globe.

K-pop boy groups have also played critical roles in diplomatic contexts, often referred to as "soft power" ambassadors by cultural commentators. Their influence was notably recognized in instances like BTS speaking at the United Nations and participating in global campaigns for violence prevention and youth empowerment.

Geographically, while K-pop remains a staple in East and Southeast Asia, its reach now spans the globe, with fervent fan bases in North America, South America, Europe, and the Middle East. This global penetration has been facilitated by the internet and social media, allowing K-pop boy groups to maintain a constant presence in their fans' lives, regardless of geographical boundaries.

In summing up, K-pop boy groups are not just musical entities but cultural phenomena, representing a finely-tuned amalgam of music, performance, fashion, and a global dialogue that continues to grow, inviting music enthusiasts from around the world to explore its dynamic and vibrant landscape.