Music Metrics Vault

Nasheed

Most popular artists in Nasheed

This chart is based on the monthly listeners metric for all artists tagged with the genre nasheed by Spotify. It may contain some errors or some data may not be up to date. You can check the artist profile to update data if necessary.

# Artist Monthly Listeners Followers
1
Omar Hisham
385,587
288,558
2
Nasheed
227,560
107,804
3
Mohammed Al Hisayan
152,401
19,643
4
موسى العميرة
144,408
43,886
5
Ilyas Mao
115,600
29,886
6
Nasheeds
93,266
111,833
7
Castillo Nasheeds
71,190
22,703
8
Muad
69,758
52,684
9
Cheikh Hani Rifaï
59,061
17,014
10
The Global Nasheeds
58,870
4,298
11
Abdel Karim Mahyoob
58,747
36,481
12
Yusuf Islam
31,813
17,772
13
Adam Saleh
29,467
60,359
14
علي حجيج
29,126
10,796
15
Deen Squad
23,373
53,855
16
Safe Adam
19,455
14,405
17
Meshari Arrada
19,382
4,573
18
Maulana Imtiyaz Sidat
18,248
6,319
19
Rhamzan
17,238
15,780
20
Le silence des Mosquées
16,200
30,556
21
Firas
14,792
6,787
22
Ishaq Ayubi
12,115
19,239
23
Native Deen
11,310
30,344
24
Moustapha Ismael
10,858
14,674
25
The Little Believers
10,312
3,787
26
Dawud Wharnsby
10,004
23,219
27
Essam
9,194
9,115
28
Zain Bhikha Kids
8,965
3,208
29
Jae Deen
8,799
5,500
30
نات وحمد
7,811
17,083
31
Amin Davis
7,735
2,081
32
Mohammed Yahya
7,377
783
33
Faisal Latif
6,979
6,583
34
Dawud Wharnsby-Ali
6,337
2,243
35
Ammar Sarsar
5,953
6,423
36
Hafiz Abu Bakar
5,662
6,981
37
Benammi
4,681
6,663
38
Noor
4,323
5,246
39
Sultan Nasheeds
3,650
2,953
40
عمار صرصر
2,090
6,272
41
No Beats Necessary
1,896
8,331
42
Seven 8 Six (786)
1,879
4,288
43
Saabik Poetry
1,876
1,278
44
Mohamed Abdelghafar
1,854
1,009
45
Abdelhafid Al-baqali
1,809
3,456
46
Harun Abdul-Haqq
1,786
1,204
47
Abu Adam
1,387
849
48
Tom Robertson
1,386
457
49
Hafiz Mizan
1,319
1,019
50
Khaled Siddique
1,281
1,744
51
Junaid Chapti
1,177
497
52
Travelling Light Singers
1,170
445
53
The Brothahood
1,119
1,165
54
Rashid Bhikha
1,018
395
55
Hicham Karim
1,013
1,429
56
Muhammad Rizwan Qadri
1,011
2,279
57
Halal Hustle Productions
878
605
58
Sumayya Kalla
663
612
59
Abdullah Rolle
313
4,278
60
Native Deen
246
147
61
Naeem Rahman
165
414
62
Al Sheikh Abdulbaset Abdusamad
144
13,608
63
Abdessamad Beriyane
96
87
64
Majmou'a Mouchidine
91
811
65
Inayet Petker
61
402
66
Cheikh Mohamed El Mhissni
49
5,303
67
Joshua Salaam
42
104
68
Cheikh Abdallah Al Matroud
31
3,889
69
The Dost Quartet
30
640
70
Cheikh Ali Jaber
19
19,437
71
Bara Bayloni
18
1,249
72
Noor
11
764
73
Dawud Wharnsby & The Fletcher Valve Drummers
11
280
74
Suhail Najmi
6
526

Some info about nasheed

**Nasheed: A Journey Through Spiritual Harmony in Islamic Music**

Nasheed is a form of music born out of the Islamic tradition that offers a unique blend of spiritual lyrics and rhythmic melodies. Unlike many forms of musical expression that rely heavily on instrumental accompaniment, nasheeds primarily focus on vocals, invoking a profound sense of spiritual reflection among its listeners. This genre of music, while deeply rooted in Islamic culture, reaches across the globe, resonating with audiences far and wide due to its enchanting harmonies and its intrinsic message of peace, faith, and devotion.

The genesis of nasheed can be traced back to the early Islamic era. The word "nasheed" in Arabic means "chants"; these were originally poetic pieces recited during gatherings to inspire and uplift the community. Historically, they were performed a cappella or with minimal percussion, such as the duff - a traditional frame drum. This form has been preserved to maintain the spiritual atmosphere that nasheeds aim to cultivate, aligning with certain interpretations of Islamic law that discourage the use of musical instruments.

Over the centuries, nasheeds have morphed in style and presentation, influenced by various cultural sounds and languages as Islam spread across continents. Today, they are not only performed in Arabic but also in English, Urdu, Malay, Turkish, and a plethora of other languages, showcasing the universal appeal and adaptability of this genre. Modern nasheeds cover a wide spectrum of topics, from praising Allah and the Prophet Muhammad to discussing everyday virtues such as kindness and patience.

Nasheeds gained significant popularity in the 1970s in the Middle East and South Asia, coinciding with a resurgence of Islamic identity. Artists like Yusuf Islam (formerly Cat Stevens), an English singer-songwriter who converted to Islam, played pivotal roles in introducing nasheeds to Western audiences. His albums, which include nasheeds like "A is for Allah," have found a substantial following, bridging Eastern and Western musical traditions.

Another prominent figure in modern nasheed music is Maher Zain, a Swedish singer of Lebanese origin, whose blend of R&B with traditional nasheed elements has won him fans around the world. His hits like "Insha Allah" and "Ramadan" are especially popular, sung in multiple languages, further demonstrating the global reach and linguistic diversity of nasheed music.

Nasheeds are particularly pervasive in countries with significant Muslim populations such as Saudi Arabia, Indonesia, Malaysia, Egypt, and Turkey. Moreover, their appeal extends into Western countries, where diverse immigrant communities use nasheeds as a way to connect with their cultural and religious roots.

Festivals and live performances are common platforms for nasheed artists to showcase their art, with events like the Kuala Lumpur Nasheed Festival in Malaysia and the United Kingdom’s nasheed-focused events drawing large crowds. Additionally, online streaming platforms and social media have played crucial roles in the international proliferation of nasheeds, allowing artists to reach a broader audience than ever before.

In defining the essence of nasheed, it is essential to highlight the genre's foundation in spiritual enlightenment and moral guidance. For music enthusiasts exploring nasheed, it is not just the melodies that captivate but also the messages woven into the lyrics, offering pathways to introspection and peace. As a musical genre, nasheed acts as a bridge, not only between different cultures and languages but also between the divine and the everyday, making it a truly transcendent auditory experience.