Music Metrics Vault

Pov: indie

Most popular artists in Pov: indie

This chart is based on the monthly listeners metric for all artists tagged with the genre pov: indie by Spotify. It may contain some errors or some data may not be up to date. You can check the artist profile to update data if necessary.

# Artist Monthly Listeners Followers
1
48,345,154
8,698,819
2
32,358,526
25,294,274
3
26,585,140
4,040,766
4
24,442,905
11,603,174
5
22,470,622
2,086,333
6
22,268,206
10,266,559
7
21,797,343
10,436,038
8
19,818,893
4,448,768
9
16,568,294
7,730,758
10
16,400,363
5,372,398
11
15,627,894
956,035
12
12,743,142
2,536,879
13
12,540,836
5,447,834
14
11,825,308
5,971,000
15
11,689,607
1,128,940
16
11,311,771
2,868,311
17
11,289,694
864,142
18
11,189,588
2,807,120
19
10,578,346
1,071,287
20
10,125,746
979,175
21
9,675,461
2,251,254
22
9,185,442
1,348,301
23
9,152,240
850,604
24
8,966,607
1,056,744
25
8,382,632
3,572,541
26
8,340,790
3,083,986
27
8,193,306
1,340,053
28
7,685,921
1,617,680
29
7,607,307
1,265,145
30
7,568,441
1,088,517
31
7,549,074
2,223,761
32
7,538,597
2,576,547
33
7,484,469
1,679,593
34
7,307,729
4,380,846
35
6,815,455
1,742,292
36
6,043,373
596,466
37
5,937,774
1,267,415
38
5,932,206
1,139,870
39
5,914,894
4,548,155
40
Rio Romeo
5,554,248
585,752
41
5,535,002
701,885
42
5,445,038
602,859
43
5,391,411
1,312,991
44
5,032,472
592,504
45
4,863,989
776,783
46
4,443,174
1,520,159
47
4,119,465
748,395
48
4,045,092
417,744
49
3,956,093
506,716
50
3,829,159
1,192,744
51
3,711,713
236,723
52
3,613,065
1,030,563
53
3,584,221
1,134,579
54
3,362,643
514,021
55
2,795,893
1,372,009
56
2,785,654
950,687
57
2,522,611
249,802
58
2,432,391
858,340
59
2,407,284
2,150,276
60
2,392,904
2,125,010
61
Yaelokre
2,389,340
676,982
62
2,380,488
765,580
63
2,354,245
664,493
64
2,330,922
865,350
65
2,263,007
287,931
66
2,064,485
327,796
67
1,996,750
429,475
68
1,943,902
577,291
69
1,937,804
1,230,269
70
1,926,248
228,640
71
1,840,520
1,063,419
72
1,819,414
726,664
73
1,801,756
342,885
74
Leith Ross
1,756,619
315,854
75
1,648,965
239,381
76
1,578,570
1,092,289
77
1,558,243
548,248
78
1,528,754
494,488
79
1,456,047
650,095
80
1,415,781
494,878
81
The Crane Wives
1,370,549
343,650
82
1,322,310
320,982
83
1,289,969
310,913
84
Dazey and the Scouts
1,271,800
331,307
85
Madds Buckley
1,261,154
191,632
86
1,156,035
407,168
87
1,131,796
377,477
88
1,126,965
1,054,748
89
Hot Freaks
1,073,410
222,865
90
Destroy Boys
1,021,965
540,185
91
late night drive home
947,228
182,757
92
Tom Cardy
915,878
324,752
93
904,404
551,485
94
The Orion Experience
902,062
205,884
95
The Wrecks
891,016
190,595
96
Sodikken
808,992
536,639
97
The Happy Fits
807,002
234,523
98
790,900
697,882
99
Cosmo Sheldrake
776,486
372,003
100
Autoheart
772,417
129,161
101
759,935
1,133,341
102
GRLwood
727,084
503,802
103
719,207
355,800
104
Sushi Soucy
693,727
186,869
105
Rare Americans
655,672
311,422
106
Naethan Apollo
650,051
215,711
107
Jazmin Bean
640,696
739,613
108
Kaden MacKay
639,742
127,351
109
The Brobecks
623,084
186,545
110
Madilyn Mei
618,448
205,316
111
616,209
195,528
112
Teddy Hyde
566,896
104,701
113
Derivakat
555,184
437,069
114
The Unlikely Candidates
522,835
232,309
115
Jukebox The Ghost
482,609
228,726
116
bo en
467,055
276,229
117
Wilbur Soot
445,528
1,306,828
118
Arlie
403,234
89,056
119
Baby Bugs
386,279
178,079
120
James Marriott
367,765
248,600
121
Rory Webley
352,045
100,613
122
The Regrettes
339,927
280,208
123
The Oozes
311,496
181,659
124
The Honeysticks
308,470
188,714
125
Egg
275,978
305,650
126
NOAHFINNCE
202,509
167,624
127
leo.
199,512
46,897
128
WHALES•TALK
188,023
18,225
129
carpetgarden
176,552
119,642
130
Tawnted
154,333
43,967
131
The Scary Jokes
144,733
111,536
132
Thomas Sanders
123,964
191,966
133
Bears In Trees
103,298
141,317
134
Beetlebug
97,737
89,750
135
Addison Grace
89,703
169,632
136
Spence Hood
81,617
29,759
137
Tubbo
81,429
438,556
138
Ricky Jamaraz
46,850
48,012
139
Wilbur Music
13,714
196,930
140
Convent Bonfires
9,930
3,062
141
Wilbur Covers
1,151
46,554

Some info about pov: indie

The music genre "pov: indie" emerged as an eclectic subcategory within broader indie music, characterized primarily by its storytelling quality, personal or “point-of-view” lyrical content, and its blend with lo-fi and electronic subtleties. As a distinctive style, pov: indie began gaining prominence in the late 2000s and early 2010s, especially within online music communities and platforms such as Bandcamp, SoundCloud, and later Spotify and YouTube.

The term "pov: indie" is derived from “point of view,” indicating that the lyrics typically provide a personal or narrative perspective, often introspective or confessional in nature. This genre merges the raw, authentic elements of traditional indie music—such as guitar riffs, experimental beats, and a generally understated production style—with a modern digital influence that includes synthesized sounds and DIY aesthetics.

The rise of pov: indie can be traced back to the influence of internet culture on music production and consumption. Artists in this genre often start by producing music independently, using affordable digital audio workstations and distributing their work online. The intimate, personal nature of the music resonates with young listeners who crave authentic expression and narratives they can relate to on a personal level.

Prominent artists in the pov: indie scene include Clairo and mxmtoon, who began their careers by uploading self-recorded songs to the internet. Clairo’s "Pretty Girl" and mxmtoon’s "Prom Dress" are quintessential examples of pov: indie tracks, where personal storytelling combined with relatable lyrics and minimalist production capture the essence of the genre. Both artists discuss themes common among adolescents and young adults, such as self-discovery, love, and social anxieties, making their music profoundly resonant with a younger crowd.

Geographically, pov: indie enjoys significant popularity in the United States, United Kingdom, Australia, and other Western countries, where digital music consumption and indie cultures are prominent. It particularly resonates with college audiences and metropolitan millennials and Gen Z listeners. However, the accessibility of internet platforms has allowed the genre to gain a global audience, with fans and creators spread across the world.

Live performances and festivals that feature indie artists have also played a crucial role in popularizing the pov: indie style. Events such as SXSW, Coachella, and various local indie music festivals often feature artists from this genre, providing crucial live exposure and helping these artists build a dedicated fan base. The intimate settings typical of indie performances align well with the personal, close-knit vibe of pov: indie music, enabling a unique live connection between the artist and the audience.

In conclusion, pov: indie is not just a musical genre; it is a cultural expression shaped by the digital age. It reflects the shifts in how music is created, shared, and enjoyed in contemporary society. With its roots deeply embedded in internet culture and indie traditions, pov: indie continues to evolve, shaping and being shaped by the personal experiences of its artists and listeners. As more artists and fans engage with this uniquely narrative and introspective style, pov: indie stands as a testament to the continuing innovation in music.