Music Metrics Vault

Pov: indie

Most popular artists in Pov: indie

This chart is based on the monthly listeners metric for all artists tagged with the genre pov: indie by Spotify. It may contain some errors or some data may not be up to date. You can check the artist profile to update data if necessary.

# Artist Monthly Listeners Followers
1
48,300,243
8,721,484
2
33,922,007
25,319,648
3
26,865,209
4,056,408
4
24,126,574
11,642,587
5
22,289,248
2,092,415
6
22,238,783
10,301,416
7
21,834,507
10,525,093
8
20,236,567
4,453,286
9
16,670,756
5,386,620
10
16,666,696
7,741,165
11
15,663,683
960,025
12
12,692,166
2,545,634
13
12,515,632
5,453,687
14
11,699,837
5,982,807
15
11,547,183
1,134,147
16
11,337,442
2,872,909
17
11,237,480
870,292
18
11,169,817
2,815,210
19
10,427,848
1,075,289
20
10,332,936
980,379
21
9,623,590
2,258,602
22
9,274,083
853,328
23
9,095,496
1,354,035
24
8,993,059
1,057,889
25
8,422,842
3,575,796
26
8,286,725
3,103,310
27
8,215,877
1,342,053
28
7,747,829
1,266,167
29
7,678,451
1,624,575
30
7,468,804
2,230,948
31
7,340,377
2,583,973
32
7,322,094
4,386,223
33
7,314,770
1,681,363
34
7,017,454
1,088,990
35
6,804,071
1,749,162
36
6,120,655
598,614
37
5,952,249
1,146,667
38
5,889,711
4,556,374
39
5,858,940
1,270,367
40
5,498,849
704,748
41
5,443,227
604,090
42
Rio Romeo
5,421,225
589,362
43
5,292,846
1,320,045
44
5,069,303
595,959
45
4,871,043
780,356
46
4,433,036
1,521,583
47
4,160,322
749,493
48
3,935,178
508,618
49
3,823,038
1,193,529
50
3,735,613
238,537
51
3,727,238
420,214
52
3,574,266
1,137,901
53
3,564,293
1,033,100
54
3,397,850
514,581
55
2,799,362
1,379,498
56
2,710,804
952,769
57
2,502,386
250,672
58
2,485,066
859,504
59
2,420,941
2,159,539
60
2,403,271
766,668
61
2,351,435
664,759
62
2,341,016
2,128,610
63
2,303,280
867,204
64
2,275,121
288,846
65
Yaelokre
2,145,527
686,964
66
2,066,271
328,693
67
1,966,587
230,890
68
1,957,605
429,535
69
1,948,016
580,637
70
1,917,447
1,232,991
71
1,815,542
1,065,538
72
1,808,287
343,290
73
Leith Ross
1,772,421
317,839
74
1,742,068
239,633
75
1,708,370
727,503
76
1,585,309
1,092,890
77
1,555,313
549,565
78
1,530,811
501,144
79
1,462,334
650,385
80
1,433,769
495,301
81
The Crane Wives
1,370,549
343,650
82
1,329,441
321,563
83
1,317,781
311,093
84
Madds Buckley
1,308,861
197,684
85
Dazey and the Scouts
1,279,006
334,412
86
1,213,207
407,911
87
1,142,435
377,624
88
1,114,931
1,054,767
89
Hot Freaks
1,070,292
228,087
90
Destroy Boys
1,024,756
542,316
91
late night drive home
948,963
183,577
92
Tom Cardy
923,788
326,793
93
905,087
551,384
94
The Wrecks
891,016
190,595
95
The Orion Experience
890,714
206,473
96
The Happy Fits
807,002
234,523
97
Sodikken
798,900
540,899
98
784,804
697,851
99
Cosmo Sheldrake
778,887
373,063
100
Autoheart
763,368
131,244
101
754,145
1,132,195
102
716,177
355,689
103
GRLwood
710,056
505,338
104
Sushi Soucy
679,442
187,959
105
Rare Americans
640,195
312,202
106
Kaden MacKay
639,742
127,351
107
Jazmin Bean
637,729
741,126
108
Naethan Apollo
636,424
216,823
109
The Brobecks
623,084
186,545
110
Madilyn Mei
616,174
207,677
111
590,846
195,625
112
Teddy Hyde
566,781
105,180
113
Derivakat
552,075
437,856
114
The Unlikely Candidates
510,611
232,742
115
Jukebox The Ghost
482,609
228,726
116
bo en
467,055
276,229
117
Wilbur Soot
442,976
1,305,667
118
Arlie
395,683
89,141
119
Baby Bugs
384,812
179,186
120
Rory Webley
352,045
100,613
121
The Regrettes
340,817
280,305
122
James Marriott
337,428
249,858
123
The Oozes
312,114
182,458
124
The Honeysticks
300,156
188,696
125
Egg
271,863
305,817
126
NOAHFINNCE
202,509
167,624
127
leo.
193,084
47,058
128
WHALES•TALK
188,023
18,225
129
carpetgarden
175,095
119,681
130
Tawnted
155,584
44,048
131
The Scary Jokes
142,846
111,700
132
Thomas Sanders
123,964
191,966
133
Bears In Trees
103,298
141,317
134
Beetlebug
97,737
89,750
135
Addison Grace
88,502
169,583
136
Spence Hood
82,656
29,793
137
Tubbo
82,391
438,151
138
Ricky Jamaraz
46,850
48,012
139
Wilbur Music
13,714
196,930
140
Convent Bonfires
9,873
3,079
141
Wilbur Covers
1,151
46,554

Some info about pov: indie

The music genre "pov: indie" emerged as an eclectic subcategory within broader indie music, characterized primarily by its storytelling quality, personal or “point-of-view” lyrical content, and its blend with lo-fi and electronic subtleties. As a distinctive style, pov: indie began gaining prominence in the late 2000s and early 2010s, especially within online music communities and platforms such as Bandcamp, SoundCloud, and later Spotify and YouTube.

The term "pov: indie" is derived from “point of view,” indicating that the lyrics typically provide a personal or narrative perspective, often introspective or confessional in nature. This genre merges the raw, authentic elements of traditional indie music—such as guitar riffs, experimental beats, and a generally understated production style—with a modern digital influence that includes synthesized sounds and DIY aesthetics.

The rise of pov: indie can be traced back to the influence of internet culture on music production and consumption. Artists in this genre often start by producing music independently, using affordable digital audio workstations and distributing their work online. The intimate, personal nature of the music resonates with young listeners who crave authentic expression and narratives they can relate to on a personal level.

Prominent artists in the pov: indie scene include Clairo and mxmtoon, who began their careers by uploading self-recorded songs to the internet. Clairo’s "Pretty Girl" and mxmtoon’s "Prom Dress" are quintessential examples of pov: indie tracks, where personal storytelling combined with relatable lyrics and minimalist production capture the essence of the genre. Both artists discuss themes common among adolescents and young adults, such as self-discovery, love, and social anxieties, making their music profoundly resonant with a younger crowd.

Geographically, pov: indie enjoys significant popularity in the United States, United Kingdom, Australia, and other Western countries, where digital music consumption and indie cultures are prominent. It particularly resonates with college audiences and metropolitan millennials and Gen Z listeners. However, the accessibility of internet platforms has allowed the genre to gain a global audience, with fans and creators spread across the world.

Live performances and festivals that feature indie artists have also played a crucial role in popularizing the pov: indie style. Events such as SXSW, Coachella, and various local indie music festivals often feature artists from this genre, providing crucial live exposure and helping these artists build a dedicated fan base. The intimate settings typical of indie performances align well with the personal, close-knit vibe of pov: indie music, enabling a unique live connection between the artist and the audience.

In conclusion, pov: indie is not just a musical genre; it is a cultural expression shaped by the digital age. It reflects the shifts in how music is created, shared, and enjoyed in contemporary society. With its roots deeply embedded in internet culture and indie traditions, pov: indie continues to evolve, shaping and being shaped by the personal experiences of its artists and listeners. As more artists and fans engage with this uniquely narrative and introspective style, pov: indie stands as a testament to the continuing innovation in music.