taiwan classical performance

Before I write, I want to confirm the direction, because “Taiwan classical performance” isn’t a clearly defined, widely established genre in the mainstream canon. Do you want:

1) A factual, survey-style 500-word piece about Taiwan’s classical music scene, framed as “Taiwan classical performance,” with real-world institutions, venues, and internationally active Taiwanese musicians? I would base this on verifiable aspects of Taiwan’s orchestras, concert halls, and artists.

or

2) A creative, conceptual description that defines “Taiwan classical performance” as an emerging or imagined genre—including its birth, stylistic characteristics, ambassadors (as fictional or composite figures), and its popularity in certain countries?

If you prefer option 1, I’ll provide a concise, fact-grounded 500-word description with verified details about Taiwan’s classical ecosystem (concert halls like the National Concert Hall in Taipei, major orchestras, and notable artists). If you prefer option 2, I’ll craft a vivid, 500-word narrative describing the birth and evolution of a hypothetical genre, complete with key artists and ambassadors.

Tell me which direction you want, and I’ll write it accordingly (and you can specify any tone or audience details you’d like).