Last updated: 4 hours ago
<a href="spotify:album:1PpBSNxMzKKaw3qF3964ti" data-name="The Stuff / Zuma 85">The Stuff / Zuma 85</a> signals the start of a new era for Allah-Las, and finds the band reinventing itself in defiance of the algorithmic categorization and robotic sterility. Recorded in the midst of the shift from the Old World to whatever branch of reality we’re on now, it’s a return, too. The album will be released October 13th on their own label, Calico Discos, in partnership with Innovative Leisure, which released early defining statements like Allah-Las (2012) and Worship The Sun (2014).
For the last 15 years, Allah-Las have alchemically melded surf rock washes with folk rock jangle and rock, building up their lauded music podcast, Reverberation Radio, and record label, Calico Discos, in the process. But a lot has changed since Matthew Correia (drums/vocals), Spencer Dunham (bass, guitar, vocals), Miles Michaud (guitar, organ, vocals), and Pedrum Siadatian (guitar, synth, vocals) first bonded over psych rock vinyl in the back room at Amoeba Records in the late aughts. <a href="spotify:album:1PpBSNxMzKKaw3qF3964ti" data-name="The Stuff / Zuma 85">The Stuff / Zuma 85</a> finds the quartet facing a new world with a wealth of new sounds, drawing from an eclectic mix of progressive rock, prog, kosmische, and Eno-esque art rock, scuzzy Royal Trux riffs, and detouring into tones and textures that call to mind ‘90s and 2000s pop.
For the last 15 years, Allah-Las have alchemically melded surf rock washes with folk rock jangle and rock, building up their lauded music podcast, Reverberation Radio, and record label, Calico Discos, in the process. But a lot has changed since Matthew Correia (drums/vocals), Spencer Dunham (bass, guitar, vocals), Miles Michaud (guitar, organ, vocals), and Pedrum Siadatian (guitar, synth, vocals) first bonded over psych rock vinyl in the back room at Amoeba Records in the late aughts. <a href="spotify:album:1PpBSNxMzKKaw3qF3964ti" data-name="The Stuff / Zuma 85">The Stuff / Zuma 85</a> finds the quartet facing a new world with a wealth of new sounds, drawing from an eclectic mix of progressive rock, prog, kosmische, and Eno-esque art rock, scuzzy Royal Trux riffs, and detouring into tones and textures that call to mind ‘90s and 2000s pop.
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