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The cohesive array of depth charged devices that Anthony Linell has produced is formidable.
From his opening statements as Abdulla Rashim on his early label of the same name, right
through to his recent work that puts his aliases aside, there is a robust and rigorous intent
that compounds the elemental strategies of techno's models to apprehend his singular vision.
Presiding over Stockholm's Northern Electronics label with Varg (Jonas Rönnberg), Linell
dispenses with mechanisms of attention on all fronts. Marked by an indefatigable self-reliance,
the label presents exactly what it means to display, and no more. Carving an idiosyncratic platform for his music is as great of a warning as there could be that Linell's leveraging little toward the benefit of the audience. By his measure, the familiarity and comfort of
contemporary techno is stripped back to its rushing heart, the senses left tailgating the strobe
in a fit of intuition over decision. The greater this is exposed the colder it gets, and its in these
extremes that Linell's caustic rhythmic precision hits. Purposively ricocheting between the techno world and experimental electronic music, Linell forges a distinct passage that gathers the aesthetically uncompromising motifs and missions from across this spectrum. It's this combination and resolve that's brought Linell to the world's attention, however little that attention has been solicited.
From his opening statements as Abdulla Rashim on his early label of the same name, right
through to his recent work that puts his aliases aside, there is a robust and rigorous intent
that compounds the elemental strategies of techno's models to apprehend his singular vision.
Presiding over Stockholm's Northern Electronics label with Varg (Jonas Rönnberg), Linell
dispenses with mechanisms of attention on all fronts. Marked by an indefatigable self-reliance,
the label presents exactly what it means to display, and no more. Carving an idiosyncratic platform for his music is as great of a warning as there could be that Linell's leveraging little toward the benefit of the audience. By his measure, the familiarity and comfort of
contemporary techno is stripped back to its rushing heart, the senses left tailgating the strobe
in a fit of intuition over decision. The greater this is exposed the colder it gets, and its in these
extremes that Linell's caustic rhythmic precision hits. Purposively ricocheting between the techno world and experimental electronic music, Linell forges a distinct passage that gathers the aesthetically uncompromising motifs and missions from across this spectrum. It's this combination and resolve that's brought Linell to the world's attention, however little that attention has been solicited.
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