Last updated: 2 hours ago
Sound alchemist Catharina Jaunviksna’s 4th album as <a href="spotify:artist:3Wpl996XTewqlmL4EkUpfI" data-name="Badlands">Badlands</a> expands her solo project into a suite of cracked folk-ambient songforms, binding voice, detuned strings and salvaged electronics into a meta-fictional drift. <a href="spotify:track:2QeWsXceXn2D89QOv6Esfs" data-name="Nobody Dies">Nobody Dies</a> plays like a séance of fractured ballads and spectral atmospheres, somewhere between dream-pop haze and post-apocalyptic ritual. Guest presences from <a href="spotify:artist:4uk9cWBqeiel7tO1w9MPe0" data-name="Maggie Bjorklund">Maggie Bjorklund</a> (<a href="spotify:artist:4FZ3j1oH43e7cukCALsCwf" data-name="Jack White">Jack White</a>, <a href="spotify:artist:1fpXM23IoNckJ7NDAm8YJQ" data-name="Mark Lanegan">Mark Lanegan</a>) on pedal steel and folklorist Ida Mitchell on cello lend haunted textures , as Mattias Jeppssons tremolo heavy guitars accompanies Jaunviksnas instrumental and vocal explorations. Sitting in a lineage from <a href="spotify:artist:0WtTGUjbur1R1cNzBvbsMU" data-name="Broadcast">Broadcast</a> and <a href="spotify:artist:31uyAcnY0kjjKKIQZMKX4i" data-name="Grouper">Grouper</a> through <a href="spotify:artist:6FVxEgfQsGrJ0BogIOYCd6" data-name="Carla dal Forno">Carla dal Forno</a> and the wyrd folk of England’s Hidden Reverse, it’s a singular zone — lo-fi storytelling and occult drift for fractured times.
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