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Electronic composer Bernard Xolotl was born in France in 1951. As a teen, he was introduced to electronic music through the works of musique concrète composers like <a href="spotify:artist:5ITPNl5P6R6cFbw4DAcMAY">Pierre Henry</a> and <a href="spotify:artist:47ypz2bndV4j06Xx8yPDZl">Pierre Schaeffer</a>, although he found the early recordings of <a href="spotify:artist:0k17h0D3J5VfsdmQ1iZtE9">Pink Floyd</a> to be much more inspirational; he left home at age 17 to travel the world, along the way befriending figures including <a href="spotify:artist:3U2U4TR03ZuStsizrv0EJB">Klaus Schulze</a>, <a href="spotify:artist:7DnLQaXsqcYkgm0nyDrB3r">Terry Riley</a>, <a href="spotify:artist:5h2yl4fuAyztOOBgMRyQhE">La Monte Young</a> and Manuel Goettsching. During the early 1970s Xolotl began creating music of his own, working in studios across Europe and the U.S. before settling in California in 1974; there he slowly built his own studio, two years later making his recorded debut with Music by Xolotl. Journey to an Oracle, a collaboration with Bernard Largounez and Jean Baptiste Barriere, followed in 1978, while for 1980's Prophecy Xolotl teamed with <a href="spotify:artist:2txIBWgHfkCxbeaPQCKj7j">Cyrille Verdeaux</a>. Return of the Golden Mean followed, and in 1983 he completed work on Procession; with Last Wave, Xolotl -- long associated with his work on the guitar synthesizer -- expanded his musical palette to introduce the Yamaha CS60, the PPG Wave 2.2, the Korg Monopoly, the Pro-One, the ARP Sequencer and vocoder. After a long absence from recording, he resurfaced in 1991 with Mexecho; Tristany followed in 1997. ~ Jason Ankeny, Rovi
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