Biréli Lagrène

A celebrated French guitarist, Biréli Lagrène has drawn praise for his fertile blend of swinging jazz, post-bop, and fusion. Emerging with Routes to Django: Live in 1980, the then 13-year-old guitarist was quickly praised as an heir to the legendary Belgian-born Romani guitarist <a href="spotify:artist:5Z1XZyEFY0dewG8faEIiEx">Django Reinhardt</a>. Over time, however, he broadened his approach, exploring artists like <a href="spotify:artist:03YhcM6fxypfwckPCQV8pQ">Wes Montgomery</a>, <a href="spotify:artist:25s8YpOLWqI2SgTlvapJyQ">Larry Coryell</a>, and <a href="spotify:artist:776Uo845nYHJpNaStv1Ds4">Jimi Hendrix</a>, influences he displayed on 1988's Inferno and 2008's Electric Side. Nonetheless, as evidenced by 1992's Standards, 2018's Storyteller, and 2024's Biréli Lagrène Plays Loulou Gasté, he remains a leading proponent of both the straight-ahead and <a href="spotify:artist:5Z1XZyEFY0dewG8faEIiEx">Reinhardt</a>-inspired jazz traditions.

Lagrène was born into a Romani family on September 4, 1966, in Saverne, Alsace, France. Both his father and grandfather had been prominent guitarists, and he was first introduced to the instrument around age four. Under his father's influence, Lagrène was soon absorbing the music of guitarist <a href="spotify:artist:5Z1XZyEFY0dewG8faEIiEx">Django Reinhardt</a>, as well as recordings by violinist <a href="spotify:artist:6AfbDYupHV5e6nse9W6tKG">Stéphane Grappelli</a> and the Hot Club of France. By age seven, he was already a gifted performer and garnered increasing attention throughout the '70s, especially after he won a prize at a festival in Strasbourg in 1978 and performed on television as part of an appearance at a gypsy jazz festival broadcast. In 1981, he made his solo debut with Routes to Django: Live. The studio album Fifteen followed a year later, featuring more <a href="spotify:artist:5Z1XZyEFY0dewG8faEIiEx">Reinhardt</a> songs and jazz standards.

During his late teens, Lagrène's musical taste began to evolve as he started playing electric guitar and absorbing players like <a href="spotify:artist:03YhcM6fxypfwckPCQV8pQ">Wes Montgomery</a>, <a href="spotify:artist:4v0R1feRiuCDch7aAheVhY">John McLaughlin</a>, <a href="spotify:artist:25s8YpOLWqI2SgTlvapJyQ">Larry Coryell</a>, and <a href="spotify:artist:776Uo845nYHJpNaStv1Ds4">Jimi Hendrix</a>. In 1984, he appeared at the Django Reinhardt Tribute at Fat Tuesdays in New York, where he showcased his stylistically expansive sound. He signed to <a href="spotify:search:label%3A%22Blue+Note%22">Blue Note</a> and issued a handful of genre-crossing albums: 1988's Inferno, 1989's Foreign Affairs, and 1990's Acoustic Moments. All of these albums found the guitarist exploring a mix of post-bop, fusion, and <a href="spotify:artist:5Z1XZyEFY0dewG8faEIiEx">Reinhardt</a>-style pieces. The straight-ahead Standards, with bassist Niels Pedersen and drummer <a href="spotify:artist:77FgwKhxIPrET0QgGTn58K">Andre Ceccarelli</a>, arrived in 1992.

With 1995's My Favorite Django, Lagrène returned to his love of traditional jazz and swing. Over the next decade, he made occassional forays into fusion while continuing to balance his love of <a href="spotify:artist:5Z1XZyEFY0dewG8faEIiEx">Django Reinhardt</a>, straight-ahead jazz, and bop influences. He also kept a steady live schedule, appearing live at Marciac in 1994 and at New York's Blue Note in 1997 with <a href="spotify:artist:25s8YpOLWqI2SgTlvapJyQ">Larry Coryell</a> and <a href="spotify:artist:0IwfuIL3gUJxjzUqY3wJ3j">Billy Cobham</a>. In 1998, he issued the <a href="spotify:artist:1Mxqyy3pSjf8kZZL4QVxS0">Frank Sinatra</a> tribute Old Blues Eyes, with pianist <a href="spotify:artist:7hKMZM4XNYwj1NuOrI8lv2">Maurice Vander</a>, bassist <a href="spotify:artist:5WebagAP4zctj6dWhmRsLL">Chris Minh Doky</a>, and drummer <a href="spotify:artist:77FgwKhxIPrET0QgGTn58K">Ceccarelli</a>.

In 2002, Lagrène issued Gypsy Project, yet another album that found him returning to <a href="spotify:artist:5Z1XZyEFY0dewG8faEIiEx">Reinhardt</a> and the classic jazz songbook. Similar albums followed, including 2005's Move, 2006's Djangology, and 2007's Just the Way You Are. A year later, he issued the fusion-influenced Electric Side. He then paired with guitarist Hono Winterstein and bassist Diego Imbert for 2009's Gipsi Trio. That same year, he also released his own Summertime.

In 2012, he recorded a straight-ahead jazz set for <a href="spotify:search:label%3A%22Universal%22">Universal</a> entitled Mouvements with saxophonist Franck Wolf, drummer Jean-Marc Robin, and Hammond organist Jean-Yves Jung. Also in 2012, Lagrène was asked to participate in the 50th career anniversary celebration for violinist <a href="spotify:artist:3SInttLnvf5G4Aa95aAYPr">Jean-Luc Ponty</a>, during which he appeared in a trio with <a href="spotify:artist:3SInttLnvf5G4Aa95aAYPr">Ponty</a> and bassist <a href="spotify:artist:1lGt9WgdYGpMnmwGkcCm05">Stanley Clarke</a>. Inspired by their chemistry on-stage that night, the trio stayed in touch, and in 2015 they teamed up again for the studio album D-Stringz on <a href="spotify:search:label%3A%22Impulse%21%22">Impulse!</a>

In 2018, the guitarist issued Storyteller, featuring bassist <a href="spotify:artist:4HGsz6HI7mw7t14Fb2irLV">Larry Grenadier</a> and percussionist <a href="spotify:artist:3u5p7C1CVuJEjLJ1LGlHzj">Mino Cinélu</a>. A collection of standards, Solo Suites, appeared in 2022, followed a year later by Biréli Lagrène Plays Loulou Gasté, which found the guitarist interpreting the work of famed French composer Gasté, including the 1956 classic "Feelings (Pour Toi)." ~ Matt Collar