Blackie & The Rodeo Kings

One of Canada's leading roots rock acts, Blackie & the Rodeo Kings is a collaboration between three well-respected blues, folk, and rock musicians, <a href="spotify:artist:6vsums8cmn6MBqOL8f407U">Stephen Fearing</a>, <a href="spotify:artist:6bFn0wonviH3NJmY1FSNkZ">Colin Linden</a>, and <a href="spotify:artist:5yC7xvjGxlXLUTzmrmprLu">Tom Wilson</a>. Together, BARK (as their fans like to call them) deliver a passionate acoustic/electric blend of country, blues, rock & roll, and contemporary folk, with a rough immediacy that's gritty yet heartfelt. Originally formed to pay homage to a fellow songwriter on 1996's High or Hurtin': The Songs of Willie P. Bennett, the trio shifted their focus to collective originals and performances, showing their strengths as a group on 2006's Let's Frolic and 2014's South. They also invited some of their favorite artists to share vocals with them on 2011's Kings and Queens and 2017's Kings and Kings.

<a href="spotify:artist:6vsums8cmn6MBqOL8f407U">Stephen Fearing</a> is a Vancouver-born, Irish-raised singer/songwriter who returned to the city of his birth in 1981; since 1986, he's released a number of critically acclaimed albums, and is a multiple Juno Award winner. <a href="spotify:artist:6bFn0wonviH3NJmY1FSNkZ">Colin Linden</a> hails from Toronto, and has collaborated with artists as varied as <a href="spotify:artist:7hYKC5uBED0V5rpKQkqgQ5">Leon Redbone</a>, <a href="spotify:artist:4sh4MHP7lhrSUakxwZzwqz">Bruce Cockburn</a>, <a href="spotify:artist:1OwarW4LEHnoep20ixRA0y">Robert Plant</a>, and <a href="spotify:artist:4vpDg7Y7fU982Ds30zawDA">the Band</a>, as well as producing albums for a number of artists and releasing several fine solo albums. And <a href="spotify:artist:5yC7xvjGxlXLUTzmrmprLu">Tom Wilson</a>, from Hamilton, Ontario, was the leader of the celebrated blues-rock band <a href="spotify:artist:7HTWYaZzuODnDc5dJN4EM3">Junkhouse</a> before going on to a successful career as a solo artist and songwriter.

<a href="spotify:artist:6vsums8cmn6MBqOL8f407U">Fearing</a>, <a href="spotify:artist:6bFn0wonviH3NJmY1FSNkZ">Linden</a>, and <a href="spotify:artist:5yC7xvjGxlXLUTzmrmprLu">Wilson</a> were friends and colleagues who had frequently appeared on each other's albums, and in 1996, they joined forces to pay homage to <a href="spotify:artist:27sjrx6lDCKw0RQpaPczDh">Willie P. Bennett</a>, a singer and songwriter from Southern Ontario who won a cult following (and later a Juno Award) for his powerful, evocative story-songs. The trio recorded an album of <a href="spotify:artist:27sjrx6lDCKw0RQpaPczDh">Bennett</a>'s songs called High or Hurtin': The Songs of Willie P. Bennett, and released it under the group name Blackie & the Rodeo Kings, a reference to the title of an album <a href="spotify:artist:27sjrx6lDCKw0RQpaPczDh">Bennett</a> released in 1978. The album was well received both commercially and critically, and in 1999 the three reconvened for a second album, Kings of Love, in which they covered songs from a variety of different tunesmiths, as well as presenting a few original numbers. In 2004, Blackie & the Rodeo Kings released Bark, their first album dominated by original material, which solidified the group's solid, scrappy fusion of blues, country, and rock influences.

In the fall of 2006, Blackie & the Rodeo Kings issued Let's Frolic, which also featured what had become the group's regular rhythm section, bassist John Dymond and drummer Gary Craig, as well as guest vocals from <a href="spotify:artist:1SX44N5qjWuFcCK8WTO0c6">Pam Tillis</a>. The band cut enough material during the Let's Frolic sessions that a second album of outtakes, Let's Frolic Again, appeared in the spring of 2008. The Rodeo Kings returned to their collaborative roots on 2011's Kings and Queens, in which each of the 14 tracks featured duet vocals from a different female artist, including <a href="spotify:artist:5s6TJEuHTr9GR894wc6VfP">Emmylou Harris</a>, <a href="spotify:artist:1SX44N5qjWuFcCK8WTO0c6">Pam Tillis</a>, <a href="spotify:artist:60ht0hWRy1yjUDfNsLuHuP">Lucinda Williams</a>, <a href="spotify:artist:6lx6XS8umFqYRVbBErx9fE">Rosanne Cash</a>, <a href="spotify:artist:6TZ5t4kclsmGWHqb3mGyha">Cassandra Wilson</a>, and <a href="spotify:artist:6kZQOOVmBEdPxeWYe4xbDj">Patti Scialfa</a>. It was followed a few years later by the more stripped-down South, which placed the focus back on the trio's songwriting strengths. In 2016, reprising the collaborative format that had served them well five years prior, the Rodeo Kings delivered Kings and Kings, this time teaming up with an assortment of male duet singers, including <a href="spotify:artist:3BqaUtuQmqIHg7B5Bc7fP7">Nick Lowe</a>, <a href="spotify:artist:2GHyWa3uUslUFgOayQLW6b">Raul Malo</a>, <a href="spotify:artist:3IhWQSrLj8EJjdvjFTpCyo">Vince Gill</a>, and fellow Canadians <a href="spotify:artist:4sh4MHP7lhrSUakxwZzwqz">Bruck Cockburn</a> and <a href="spotify:artist:74gcBzlQza1bSfob90yRhR">City and Colour</a>. 25 years into their collaborative career, BARK finally stepped up to the major labels and signed with Warner Music Canada to release their tenth studio album, 2020's King of This Town. ~ Mark Deming, Rovi