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Caitlin Pasko’s songs are rooms where silence and language are granted equal weight. Her singing is precise, but soft and reserved, and her piano-playing drifts and floats like the work of Satie or Debussy, thriving on the tension between dynamics, tempo, and space. Her new LP Greenhouse -- the first to follow 2017’s Glass Period EP -- derives its name from structures that protect plant life from unfavorable external conditions, and from environments in which flora adapt in order to survive and sustain other life forms. Written during and in the wake of an emotionally abusive partnership, Greenhouse documents the dissolution of relationships: from the romantic to the familial; from close friendships to Pasko’s ever-evolving connection to herself. Greenhouse weathers solitude’s storms in the form of sprawling fantasias, peripatetic monologues, and elegiac meditations. It is a musical evocation of a safe space for personal transformation, healing, and unconditional love.

Greenhouse is out August 28 on Whatever's Clever Records.

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