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In 1999, the group unleashed Ugly But Honest on <a href="spotify:artist:6Vfn70eqp3AgtiZZtQcv4W">Bridwell</a>'s own label, Brown Records. The musicians continued making a buzz around the Pacific Northwest, heightening their local profile with the release of 2001's You Should Be at Home Here and 2002's Songs About Leaving. Recording with <a href="spotify:artist:4UP7ibAacJ5joROTv4ShG5">Chris Walla</a> at Seattle's Hall of Justice Studio, the group increasingly seemed to be a legend in the making, but they disbanded in late 2003 soon after a cross-country tour. Following the demise, Ghetto focused on a solo project called S. Meanwhile, Brooke and <a href="spotify:artist:6Vfn70eqp3AgtiZZtQcv4W">Bridwell</a> announced plans to form a band called November 16th; while such an outfit never materialized, the duo did find success with the indie rock act <a href="spotify:artist:0OdUWJ0sBjDrqHygGUXeCF">Band of Horses</a>. Brooke split from the group in 2006 and went on to form <a href="spotify:artist:7k0P5clsa0laFO0DPGhWOK">Grand Archives</a>, who subsequently became labelmates with <a href="spotify:artist:0OdUWJ0sBjDrqHygGUXeCF">Band of Horses</a> when they signed to Sub Pop. Meanwhile, Sad Robots Records issued several posthumous releases of Carissa's Wierd material, including 2004's I Before E, and the local label Hardly Art issued a thorough compilation in 2010. ~ Stephen Cramer, Rovi
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