Songs: Ohia

Songs: Ohia was one man -- <a href="spotify:artist:4tBNwdhdWAXGzzaPTp9dRE">Jason Molina</a> -- a tenor guitar-wielding songwriter from the shores of Lake Erie. Critics often compared Songs: Ohia to <a href="spotify:artist:5Sr14eTmMMC76LEFDSnvh9">Palace</a>/<a href="spotify:artist:2EEw2tt8AJcH9qXUeB96Oc">Will Oldham</a>, and while sonically the comparison is valid (especially in <a href="spotify:artist:4tBNwdhdWAXGzzaPTp9dRE">Molina</a>'s voice), <a href="spotify:artist:4tBNwdhdWAXGzzaPTp9dRE">Molina</a>'s ardent, soul-searching lyrics were more aptly compared to <a href="spotify:artist:6v8FB84lnmJs434UJf2Mrm">Neil Young</a> or <a href="spotify:artist:5l8VQNuIg0turYE1VtM9zV">Leonard Cohen</a>. <a href="spotify:artist:4tBNwdhdWAXGzzaPTp9dRE">Molina</a>'s early work as Songs: Ohia was often spare and skeletal, in particular on 1999's Axxess & Ace and 2000's The Lioness, where the music reflected the dark themes of the lyrics. Later work under the group's banner, such as 2002's Didn't It Rain and 2003's Magnolia Electric Co., saw <a href="spotify:artist:4tBNwdhdWAXGzzaPTp9dRE">Molina</a> embracing a more full-bodied musical statement with a strong country influence, though his lyrics were as dour and personal as ever.

<a href="spotify:artist:4tBNwdhdWAXGzzaPTp9dRE">Molina</a> was born in Lorain, Ohio. Growing up on a heavy dosage of <a href="spotify:artist:5M52tdBnJaKSvOpJGz8mfZ">Black Sabbath</a>, <a href="spotify:artist:4tBNwdhdWAXGzzaPTp9dRE">Molina</a> began his musical career playing bass in heavy metal bands around Cleveland. Always a songwriter, <a href="spotify:artist:4tBNwdhdWAXGzzaPTp9dRE">Molina</a> eventually decided to perform and record solo with help as needed. He developed a method of tuning his guitar that complemented his voice and worked with his background as a bass player. Finding his niche in indie rock circles, <a href="spotify:artist:4tBNwdhdWAXGzzaPTp9dRE">Molina</a> made home recordings under the names Songs: Albian, Songs: Radix, and Songs: Unitas to pass out at live shows. Settling on Songs: Ohia, <a href="spotify:artist:4tBNwdhdWAXGzzaPTp9dRE">Molina</a> released a single on the <a href="spotify:artist:5Sr14eTmMMC76LEFDSnvh9">Palace</a> label in 1995. The first Songs: Ohia full-length followed in 1997; released on the <a href="spotify:search:label%3A%22Secretly+Canadian%22">Secretly Canadian</a> label, the self-titled album garnered critical acclaim. Songs: Ohia continued to release full-length albums -- including 1998's Impala and 1999's Axxess & Ace -- and a number of singles on various American and European labels, and won a large following in many European countries, most notably Holland and Germany.

In 2000, Songs: Ohia released two albums, The Lioness and Ghost Tropic, which featured musical assistance from <a href="spotify:artist:2wKWJLFt474Lv2mP3tey7W">Alasdair Roberts</a> (<a href="spotify:artist:6TuacqEWCEGEgigHKQyHeN">Appendix Out</a>) and Shane Aspegren (<a href="spotify:artist:3jqMJoXAZlweA7UW18Q2HY">Lullaby for the Working Class</a>); the latter album saw <a href="spotify:artist:4tBNwdhdWAXGzzaPTp9dRE">Molina</a> beginning to incorporate ethnic musics into his compositions. After the limited-edition, tour-only CD Protection Spells, Songs: Ohia released its first live set in late 2001. Documenting an Italian show from the previous year, a large part of Mi Sei Apparso Come un Fantasma (You Come to Me as a Ghost) consisted of unreleased (and as yet untitled) songs. By this time, <a href="spotify:artist:4tBNwdhdWAXGzzaPTp9dRE">Molina</a> had given his tenor guitar a rest in favor of a regular six-string instrument and had put together a full band to back him. However, 2002's Didn't It Rain found <a href="spotify:artist:4tBNwdhdWAXGzzaPTp9dRE">Molina</a> working with members of neo-bluegrass outfit <a href="spotify:artist:41teFNXaVSiljrV07IIJDd">Jim & Jennie & the Pinetops</a>, achieving an almost gospel sound that was a vast departure from the dense feel of Ghost Tropic.

Constantly recording and writing new songs, Songs: Ohia released a handful of singles and EPs in 2002, including a split EP with Louisville's <a href="spotify:artist:43O3c6wewpzPKwVaGEEtBM">My Morning Jacket</a> and a collaborative EP (under the name Amalgamated Sons of Rest) with <a href="spotify:artist:2EEw2tt8AJcH9qXUeB96Oc">Will Oldham</a> and Ali Roberts. Pyramid Electric Co. and Magnolia Electric Co., originally conceived as a double album, were released separately in early 2003. The former, a sparse solo album, was recorded with <a href="spotify:artist:0cf3O3hfvJ2nIbw6vE8UVm">Mike Mogis</a> (from <a href="spotify:artist:3jqMJoXAZlweA7UW18Q2HY">Lullaby for the Working Class</a>), while the latter featured a full band and was recorded by <a href="spotify:artist:52ZFTGbQ9miWMX8JYBvtOO">Steve Albini</a>. Sadly, <a href="spotify:artist:4tBNwdhdWAXGzzaPTp9dRE">Jason Molina</a> suffered from alcoholism for years, which ultimately led to his death from organ failure in March 2013 at the age of 39. In 2018, Songs: Ohia's volume in the <a href="spotify:search:label%3A%22Temporary+Residence%22">Temporary Residence</a> EP series Travels in Constants was reissued and appeared on Billboard's Heatseekers chart. In 2018, The Lioness was given an expanded re-release as Love & Work: The Lioness Sessions, which included an extra album's worth of unreleased songs from the period. ~ Jason Nickey, Rovi