Last updated: 13 hours ago
Charlie Vernon writes songs like roadside postcards — faded edges, coffee rings, and words you can’t take back. Blending alt-R&B’s intimacy with indie rock’s raw pulse, his music feels like pulling into a motel parking lot at 1am, headlights cutting through rain.
On Motel (out Aug 22), Vernon turns empty highways and neon vacancy signs into confessionals. From the bittersweet rush of “Many Times Many Ways,” to the aching pull of “A Little More,” to the quiet reckoning of the title track, the EP captures one night’s worth of heartbreak, longing, and the moments you can’t bring yourself to drive past.
With warm, VHS-grain guitar tones, lo-fi textures, and a voice that sounds like it’s still catching its breath, Charlie Vernon builds a world where every song is a late-night stopover — and every lyric is a key left on the counter.
On Motel (out Aug 22), Vernon turns empty highways and neon vacancy signs into confessionals. From the bittersweet rush of “Many Times Many Ways,” to the aching pull of “A Little More,” to the quiet reckoning of the title track, the EP captures one night’s worth of heartbreak, longing, and the moments you can’t bring yourself to drive past.
With warm, VHS-grain guitar tones, lo-fi textures, and a voice that sounds like it’s still catching its breath, Charlie Vernon builds a world where every song is a late-night stopover — and every lyric is a key left on the counter.
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