Last updated: 12 hours ago
Christian Tomson traces breath and silence into sound. Trained in musicology—alongside a law degree—he works quietly from Cologne, seeking the point where Arvo Pärt’s stillness brushes Max Richter’s cinematic glow: spare harmonies, slow pulses, a hint of melancholy. His debut Largo for Strings set the template—glacier-speed arcs where every tremor counts. 2025 continues the thread with Zwischen den Lichtfäden and Vier Atemzüge for string orchestra, before Particles in Quiet Orbit broadens the palette with felt-piano knocks and organ haze circling the same luminous strings. Tomson releases independently, favouring clarity over volume and invitation over spectacle.
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