Last updated: 7 hours ago
Meg's piano compositions are truly a blend of old and new. Her style is deliberate and visceral, weaving rich narratives through measured shifts in movement and dynamics. She oftentimes implements a melody-driven discipline in composition, whereby the central theme of a piece takes an unrivaled lead and establishes the character or mood with which to build around. This is not to say that Meg’s work is minimalist; she isn’t afraid to take a piece somewhere unexpected or furnish it with complementary layers. Rather, she doesn’t let harmony or instrumentation overshadow the main communication of her work, which is to be found in the melody.
A Dutch-American dual citizen, Meg, began playing piano at 8 and trained under Maestro Mario Feninger in LA. Inspired by the canons of Chopin, Liszt and Debussy, she began composing nocturnes and sonatas as a teenager, and herein discovered the vein of creation that resonated with her most.
A Dutch-American dual citizen, Meg, began playing piano at 8 and trained under Maestro Mario Feninger in LA. Inspired by the canons of Chopin, Liszt and Debussy, she began composing nocturnes and sonatas as a teenager, and herein discovered the vein of creation that resonated with her most.
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