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Comprised of guitarists and singer/songwriters Dave Curtiss and Clive Maldoon, the duo Curtiss Maldoon made a couple of low-key rock albums in the early '70s and were later most remembered for their associations with much more famous musicians.
Curtiss (on bass) and Maldoon were both in <a href="spotify:artist:4SdPz5Y5c6XOferrZK8P3e">Bodast</a>, the short-lived group that <a href="spotify:artist:6W7XIO8Ua1RIisnSf0QIoI">Steve Howe</a> played lead guitar for between stints with <a href="spotify:artist:2VbMLDe7SzaN1Pw1hFMgva">Tomorrow</a> and <a href="spotify:artist:7AC976RDJzL2asmZuz7qil">Yes</a>. Maldoon (whose birth name was Clive Skinner) and Curtiss wrote -- alone, together, or with <a href="spotify:artist:2mF4iriJrF0jVfKnmA06Pw">Howe</a> -- much of the material that <a href="spotify:artist:4SdPz5Y5c6XOferrZK8P3e">Bodast</a> recorded in 1969, which showed up on some reissues after <a href="spotify:artist:2mF4iriJrF0jVfKnmA06Pw">Howe</a>'s vault to fame. When <a href="spotify:artist:4SdPz5Y5c6XOferrZK8P3e">Bodast</a> broke up at the end of the '60s, with <a href="spotify:artist:2mF4iriJrF0jVfKnmA06Pw">Howe</a> joining <a href="spotify:artist:7AC976RDJzL2asmZuz7qil">Yes</a>, Curtiss and Maldoon formed a duo that took off in a less harder-rocking, more singer/songwriter-inclined direction than <a href="spotify:artist:4SdPz5Y5c6XOferrZK8P3e">Bodast</a> had. Curtiss Maldoon signed to <a href="spotify:artist:568ZhdwyaiCyOGJRtNYhWf">Deep Purple</a>'s label, <a href="spotify:artist:568ZhdwyaiCyOGJRtNYhWf">Purple</a>, releasing albums in 1971 and 1973. <a href="spotify:artist:6W7XIO8Ua1RIisnSf0QIoI">Steve Howe</a> and Bruce Thomas, later in <a href="spotify:artist:2BGRfQgtzikz1pzAD0kaEn">Elvis Costello</a>'s Attractions, were among the large pool of musicians to help out on their self-titled debut LP. Their second and final one, simply called Maldoon, came out in late 1973. This second album was credited to Maldoon solely, although Curtiss plays on the whole thing; he asked for his name to be taken off of it, unhappy with the results. Unsurprisingly, the duo disbanded soon after and Maldoon died accidentally from drug-related causes in 1978.
In 1998, Curtiss Maldoon achieved some retrospective renown: Maldoon's niece, Christine Leach, of the band <a href="spotify:artist:13SUFLK7KVjmERDHTNT2pH">Baby Fox</a>, worked with producer <a href="spotify:artist:2AHGrNDMKFi8rHqQ8kJqfl">William Orbit</a> on a re-recording of a song, "Seraphyn," from the duo's first album. When superstar <a href="spotify:artist:6tbjWDEIzxoDsBA1FuhfPW">Madonna</a> contacted <a href="spotify:artist:7D18A9mbX3CeismtNf9y8G">Orbit</a> to sound out new material, he sent her a backing track of Leach's new version of "Seraphyn." Reworked again and retitled "Ray of Light," this became the title song for <a href="spotify:artist:6tbjWDEIzxoDsBA1FuhfPW">Madonna</a>'s 1998 album. ~ Richie Unterberger, Rovi
Curtiss (on bass) and Maldoon were both in <a href="spotify:artist:4SdPz5Y5c6XOferrZK8P3e">Bodast</a>, the short-lived group that <a href="spotify:artist:6W7XIO8Ua1RIisnSf0QIoI">Steve Howe</a> played lead guitar for between stints with <a href="spotify:artist:2VbMLDe7SzaN1Pw1hFMgva">Tomorrow</a> and <a href="spotify:artist:7AC976RDJzL2asmZuz7qil">Yes</a>. Maldoon (whose birth name was Clive Skinner) and Curtiss wrote -- alone, together, or with <a href="spotify:artist:2mF4iriJrF0jVfKnmA06Pw">Howe</a> -- much of the material that <a href="spotify:artist:4SdPz5Y5c6XOferrZK8P3e">Bodast</a> recorded in 1969, which showed up on some reissues after <a href="spotify:artist:2mF4iriJrF0jVfKnmA06Pw">Howe</a>'s vault to fame. When <a href="spotify:artist:4SdPz5Y5c6XOferrZK8P3e">Bodast</a> broke up at the end of the '60s, with <a href="spotify:artist:2mF4iriJrF0jVfKnmA06Pw">Howe</a> joining <a href="spotify:artist:7AC976RDJzL2asmZuz7qil">Yes</a>, Curtiss and Maldoon formed a duo that took off in a less harder-rocking, more singer/songwriter-inclined direction than <a href="spotify:artist:4SdPz5Y5c6XOferrZK8P3e">Bodast</a> had. Curtiss Maldoon signed to <a href="spotify:artist:568ZhdwyaiCyOGJRtNYhWf">Deep Purple</a>'s label, <a href="spotify:artist:568ZhdwyaiCyOGJRtNYhWf">Purple</a>, releasing albums in 1971 and 1973. <a href="spotify:artist:6W7XIO8Ua1RIisnSf0QIoI">Steve Howe</a> and Bruce Thomas, later in <a href="spotify:artist:2BGRfQgtzikz1pzAD0kaEn">Elvis Costello</a>'s Attractions, were among the large pool of musicians to help out on their self-titled debut LP. Their second and final one, simply called Maldoon, came out in late 1973. This second album was credited to Maldoon solely, although Curtiss plays on the whole thing; he asked for his name to be taken off of it, unhappy with the results. Unsurprisingly, the duo disbanded soon after and Maldoon died accidentally from drug-related causes in 1978.
In 1998, Curtiss Maldoon achieved some retrospective renown: Maldoon's niece, Christine Leach, of the band <a href="spotify:artist:13SUFLK7KVjmERDHTNT2pH">Baby Fox</a>, worked with producer <a href="spotify:artist:2AHGrNDMKFi8rHqQ8kJqfl">William Orbit</a> on a re-recording of a song, "Seraphyn," from the duo's first album. When superstar <a href="spotify:artist:6tbjWDEIzxoDsBA1FuhfPW">Madonna</a> contacted <a href="spotify:artist:7D18A9mbX3CeismtNf9y8G">Orbit</a> to sound out new material, he sent her a backing track of Leach's new version of "Seraphyn." Reworked again and retitled "Ray of Light," this became the title song for <a href="spotify:artist:6tbjWDEIzxoDsBA1FuhfPW">Madonna</a>'s 1998 album. ~ Richie Unterberger, Rovi
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