Last updated: 6 hours ago
Bluegrass/Americana artist Dale Ann Bradley, who has released albums both as a solo artist and with <a href="spotify:artist:2brXtg01iFKdMKRyLefcRn">the New Coon Creek Girls</a>, is known for her distinctive, gentle vocal phrasing and covers of popular (yet non-genre-related) songs by artists such as <a href="spotify:artist:51Blml2LZPmy7TTiAg47vQ">U2</a>, <a href="spotify:artist:23rleGXVOVVgTk3xgtmfE4">Gordon Lightfoot</a>, <a href="spotify:artist:1R6Hx1tJ2VOUyodEpC12xM">Jim Croce</a>, and <a href="spotify:artist:7bPU7cvfoD20ixGD9Qnqki">Stealers Wheel</a>.
She grew up in southeastern Kentucky and has lived in the Bluegrass State for most of her life; her father was a coal miner and Baptist minister. <a href="spotify:artist:5N6irGjsFmtKWpwODGKMNQ">Bradley</a> auditioned unsuccessfully for <a href="spotify:artist:2brXtg01iFKdMKRyLefcRn">the New Coon Creek Girls</a> in 1988 and then spent the next couple of years working as a solo artist in Renfro Valley. She finally joined <a href="spotify:artist:2brXtg01iFKdMKRyLefcRn">New Coon Creek</a> in 1991 and performed on the group's 1994 <a href="spotify:search:label%3A%22Pinecastle+Records%22">Pinecastle Records</a> debut, The L&N Don't Stop Here Anymore. <a href="spotify:artist:5N6irGjsFmtKWpwODGKMNQ">Bradley</a>'s first solo album, East Kentucky Morning, came out in 1997 and largely consisted of compositions by Dale Ann Bradley and <a href="spotify:artist:2brXtg01iFKdMKRyLefcRn">New Coon Creek</a> ally Vicki Simmons. The project also featured a celebrated take on <a href="spotify:artist:51Blml2LZPmy7TTiAg47vQ">U2</a>'s "I Still Haven't Found What I'm Looking For," which helped the album go Top Ten on both the Gavin Americana and Bluegrass Unlimited charts and earn high critical praise.
When the final <a href="spotify:artist:2brXtg01iFKdMKRyLefcRn">New Coon Creek Girls</a> album appeared in 1998, "featuring Dale Ann Bradley" was added to the group's name. Shortly after, the outfit would become Dale Ann Bradley & Coon Creek. <a href="spotify:artist:5N6irGjsFmtKWpwODGKMNQ">Bradley</a>'s sophomore release, 1999's Old Southern Porches, featured a cover of <a href="spotify:artist:7bPU7cvfoD20ixGD9Qnqki">Stealers Wheel</a>'s 1973 hit "Stuck in the Middle with You." Members of <a href="spotify:artist:2brXtg01iFKdMKRyLefcRn">Coon Creek</a>, who by this time featured male players, performed on the album. <a href="spotify:artist:5N6irGjsFmtKWpwODGKMNQ">Bradley</a> put out the solo effort Songs of Praise and Glory in 2001; that same year, signing to <a href="spotify:search:label%3A%22Doobie+Shea+Records%22">Doobie Shea Records</a>, Dale Ann Bradley & Coon Creek released Cumberland River Dreams.
In 2004, <a href="spotify:artist:5N6irGjsFmtKWpwODGKMNQ">Bradley</a> released the gospel-themed album Send the Angels via <a href="spotify:search:label%3A%22Mountain+Home+Records%22">Mountain Home Records</a>. <a href="spotify:artist:5N6irGjsFmtKWpwODGKMNQ">Bradley</a> next signed with the independent label <a href="spotify:search:label%3A%22Compass+Records%22">Compass Records</a>, which would bring out her next three albums -- 2006's Catch Tomorrow, 2009's Don't Turn Your Back, and 2011's Somewhere South of Crazy. In 2007, <a href="spotify:artist:5N6irGjsFmtKWpwODGKMNQ">Bradley</a> was named Female Bluegrass Vocalist of the Year at the International Bluegrass Music Association's annual awards; she would go on to win the award four more times, in 2008, 2009, 2011, and 2012. <a href="spotify:artist:5N6irGjsFmtKWpwODGKMNQ">Bradley</a> struck a new recording deal in 2015 with the respected bluegrass label <a href="spotify:search:label%3A%22Pinecastle+Records%22">Pinecastle Records</a>. <a href="spotify:search:label%3A%22Pinecastle%22">Pinecastle</a> would release Pocket Full of Keys in 2015, which went on to be nominated for a Grammy Award as Best Bluegrass Album. In 2017, she returned with an album simply titled Dale Ann Bradley. ~ Erik Hage, Rovi
She grew up in southeastern Kentucky and has lived in the Bluegrass State for most of her life; her father was a coal miner and Baptist minister. <a href="spotify:artist:5N6irGjsFmtKWpwODGKMNQ">Bradley</a> auditioned unsuccessfully for <a href="spotify:artist:2brXtg01iFKdMKRyLefcRn">the New Coon Creek Girls</a> in 1988 and then spent the next couple of years working as a solo artist in Renfro Valley. She finally joined <a href="spotify:artist:2brXtg01iFKdMKRyLefcRn">New Coon Creek</a> in 1991 and performed on the group's 1994 <a href="spotify:search:label%3A%22Pinecastle+Records%22">Pinecastle Records</a> debut, The L&N Don't Stop Here Anymore. <a href="spotify:artist:5N6irGjsFmtKWpwODGKMNQ">Bradley</a>'s first solo album, East Kentucky Morning, came out in 1997 and largely consisted of compositions by Dale Ann Bradley and <a href="spotify:artist:2brXtg01iFKdMKRyLefcRn">New Coon Creek</a> ally Vicki Simmons. The project also featured a celebrated take on <a href="spotify:artist:51Blml2LZPmy7TTiAg47vQ">U2</a>'s "I Still Haven't Found What I'm Looking For," which helped the album go Top Ten on both the Gavin Americana and Bluegrass Unlimited charts and earn high critical praise.
When the final <a href="spotify:artist:2brXtg01iFKdMKRyLefcRn">New Coon Creek Girls</a> album appeared in 1998, "featuring Dale Ann Bradley" was added to the group's name. Shortly after, the outfit would become Dale Ann Bradley & Coon Creek. <a href="spotify:artist:5N6irGjsFmtKWpwODGKMNQ">Bradley</a>'s sophomore release, 1999's Old Southern Porches, featured a cover of <a href="spotify:artist:7bPU7cvfoD20ixGD9Qnqki">Stealers Wheel</a>'s 1973 hit "Stuck in the Middle with You." Members of <a href="spotify:artist:2brXtg01iFKdMKRyLefcRn">Coon Creek</a>, who by this time featured male players, performed on the album. <a href="spotify:artist:5N6irGjsFmtKWpwODGKMNQ">Bradley</a> put out the solo effort Songs of Praise and Glory in 2001; that same year, signing to <a href="spotify:search:label%3A%22Doobie+Shea+Records%22">Doobie Shea Records</a>, Dale Ann Bradley & Coon Creek released Cumberland River Dreams.
In 2004, <a href="spotify:artist:5N6irGjsFmtKWpwODGKMNQ">Bradley</a> released the gospel-themed album Send the Angels via <a href="spotify:search:label%3A%22Mountain+Home+Records%22">Mountain Home Records</a>. <a href="spotify:artist:5N6irGjsFmtKWpwODGKMNQ">Bradley</a> next signed with the independent label <a href="spotify:search:label%3A%22Compass+Records%22">Compass Records</a>, which would bring out her next three albums -- 2006's Catch Tomorrow, 2009's Don't Turn Your Back, and 2011's Somewhere South of Crazy. In 2007, <a href="spotify:artist:5N6irGjsFmtKWpwODGKMNQ">Bradley</a> was named Female Bluegrass Vocalist of the Year at the International Bluegrass Music Association's annual awards; she would go on to win the award four more times, in 2008, 2009, 2011, and 2012. <a href="spotify:artist:5N6irGjsFmtKWpwODGKMNQ">Bradley</a> struck a new recording deal in 2015 with the respected bluegrass label <a href="spotify:search:label%3A%22Pinecastle+Records%22">Pinecastle Records</a>. <a href="spotify:search:label%3A%22Pinecastle%22">Pinecastle</a> would release Pocket Full of Keys in 2015, which went on to be nominated for a Grammy Award as Best Bluegrass Album. In 2017, she returned with an album simply titled Dale Ann Bradley. ~ Erik Hage, Rovi
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