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Balancing his affinity for new-school deep house beats with an early fixation for jazzy textures, indie-rock and Warp's bleep techno, Daniel Ibbotson is a producer-by-accident, a home-production aficionado who put together a demo tape during 1995 while studying at the Glasgow School of Arts for his photography degree. After sending it to the electro label Clear Records (whose buzzed-about résumé included incarnations of <a href="spotify:artist:7AiamoV760pPGGM5PbOC6X">µ-Ziq</a>, <a href="spotify:artist:7qdsk0UXx2jCX7jbp6rxeq">Black Dog</a> and <a href="spotify:artist:6YktolrgGPFMwWrmAgf4hu">Global Communication</a>), the label released some of the material as the Souped-Up EP in August 1996. More than enough material was left for an entire album, released in 1998 for the Clear spin-off Reel Discs. Ibbotson also remixed Friend & Doktor Kosmos, and appeared on the Compost collection Future Sound of Jazz, Vol. 3; he returned in 1999 with Frequency and Phase. ~ John Bush, Rovi
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