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Daniel Martinho is a Portuguese composer, mainly working on the intersection between acoustical instruments and electronics, for concert, theater and film.
Martinho’s music is a search for an intelligible and emotional use of an ambiguously-mannered familiarity, resourcefully exploring non-traditional ways to approach the creation of sound, whether acoustic or electric, electronic or computer-generated.
His work has been played throughout the world, from Portugal to the United States of America, Switzerland, Japan, and China, for solo instruments, full orchestras, string quartets, brass ensembles, mixing acoustical, electric and electronic instruments.
Martinho’s music is a search for an intelligible and emotional use of an ambiguously-mannered familiarity, resourcefully exploring non-traditional ways to approach the creation of sound, whether acoustic or electric, electronic or computer-generated.
His work has been played throughout the world, from Portugal to the United States of America, Switzerland, Japan, and China, for solo instruments, full orchestras, string quartets, brass ensembles, mixing acoustical, electric and electronic instruments.
