Dave Barbour

Through various stages of his career, Dave Barbour was known as a banjoist, a guitarist, a songwriter, the husband of singer <a href="spotify:artist:602DnpaSXJB4b9DZrvxbDc">Peggy Lee</a>, and an actor. At other times he was known for doing not much of anything, including a final period of more than a decade when he hung out in Malibu and made only a few extremely random public appearances as a musician. His greatest accomplishment, all told, seems to have been propelling <a href="spotify:artist:602DnpaSXJB4b9DZrvxbDc">Lee</a> -- who had initially given up her singing career for marriage and children -- into becoming a major singing star. Musically, he and <a href="spotify:artist:602DnpaSXJB4b9DZrvxbDc">Lee</a> were just a great combination, writing much of her best material together, and Barbour often leading her backup band many of their recordings. Their private life, on the flip side, was supposedly something of a mess. Barbour's lips were glued to the alcohol bottle, a problem that continued after the relationship with <a href="spotify:artist:602DnpaSXJB4b9DZrvxbDc">Lee</a> had fallen apart and no doubt accounted for his fallow period.

Barbour came out of an early generation of jazz string players who changed from banjo to guitar as the swing era took off. He began playing professionally with one-armed Dixieland trumpeter <a href="spotify:artist:1FmlPBCDxT2lgFy3S6BYtG">Wingy Manone</a> in the early '30s, and at that point he was still on banjo. By 1936 Barbour had picked up guitar and was in the group of vibraphonist <a href="spotify:artist:6TDBjaKrCj3BvbxhiUSbog">Red Norvo</a>, who almost always featured guitars. Through the late '30s and into the early '40s, the guitarist was extremely busy with a variety of studio and performing groups, including those of <a href="spotify:artist:0tnoJcNiki5Gtpeq8kOqGg">Lennie Hayton</a>, <a href="spotify:artist:4SPws2VXOmZIiRTp75mzsb">Charlie Barnet</a>, <a href="spotify:artist:31DffUzogcRBJT3Andaqtt">Raymond Scott</a>, <a href="spotify:artist:2aAHdB5HweT3mFcRzm0swc">Glenn Miller</a>, and Lou Holden. <a href="spotify:artist:1pBuKaLHJlIlqYxQQaflve">Benny Goodman</a> hired Barbour in the summer of 1942, and not for a trim, although that was what the feisty bandleader wound up getting. In a story straight out of a '40s musical romance, the guitarist fell in love with the band's singer, <a href="spotify:artist:602DnpaSXJB4b9DZrvxbDc">Lee</a> naturally, and the pair ran off, leaving <a href="spotify:artist:1pBuKaLHJlIlqYxQQaflve">Goodman</a> minus two bandmembers.

The couple settled in Los Angeles and began a flourishing partnership writing songs whose titles might have suggested elements of their evolving personal relationship: i.e., "It's a Good Day" for <a href="spotify:artist:602DnpaSXJB4b9DZrvxbDc">Lee</a> when her musically adept husband became "Just an Old Love of Mine." "I Don't Know Enough About You" might have been a response to early signs of physical abuse, usually combined with boozing. "Confusion Says" and "(I'm Not Gonna) Let It Bother Me," both masterpieces, are clearly the products of denial, while "Blum Blum, I Wonder Who I Am" is something of a theme for an individual left stranded after a sunken relationship. <a href="spotify:artist:602DnpaSXJB4b9DZrvxbDc">Lee</a> wrote "Johnny Guitar" with <a href="spotify:artist:3HqN7Sq7rmpOEI9UV5ERuz">Victor Young</a>, but listeners familiar with <a href="spotify:artist:602DnpaSXJB4b9DZrvxbDc">Lee</a>'s personal life will no doubt hear Barbour in there somewhere, as the singer couldn't have helped but think about him while interpreting this especially sad ballad.

<a href="spotify:artist:602DnpaSXJB4b9DZrvxbDc">Lee</a> married three more times, and could easily be said to have had more of a career than Barbour following the end of their marriage. If there was life after <a href="spotify:artist:602DnpaSXJB4b9DZrvxbDc">Lee</a> for him, it was for the most part sustained by royalty checks, as songs written by the couple were covered by a wide range of performers, from top jazz vocalists to '50s pop icons such as <a href="spotify:artist:3ESG6pj6a0LvUKklENalT6">Doris Day</a> and <a href="spotify:artist:5v8jlSmAQfrkTjAlpUfWtu">Perry Como</a>. During this era, Barbour made a dash at an acting career and shows up in two films, both with vaguely biographical titles: The Secret Fury and Mr. Music. From 1952 on his musical appearances were limited to a small number of charity events and a 1962 <a href="spotify:artist:5dlCVmfRbWVGOJYHzGyk32">Benny Carter</a> recording session. ~ Eugene Chadbourne, Rovi