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Tatsuya Kanamori quickly became one of the few Japanese techno producers to attain global prominence within the late-'90s hard techno scene with his productions and remixes as DJ Shufflemaster. Originally a committed member of the Tokyo-based Subvoice label, where he released a number of his early EPs, Kanamori's reputation outside of Japan was aided largely by his affiliation with European techno heavyweights such as <a href="spotify:artist:1btv9qmIpbp7q1ixCYNdHu">Adam Beyer</a>, <a href="spotify:artist:5YkaiMo0QXuVtdWycChYSP">Joel Mull</a>, <a href="spotify:artist:5wW4dvR027rdRFG0mtvckt">Ben Sims</a>, and <a href="spotify:artist:33WX23QMvnxE5lBbRG1qyl">Cari Lekebusch</a>. Having remixed and/or worked with these aforementioned artists as well as several other notables, it came as little surprise that Berlin-based Tresor, arguably the world's most universally recognized hard techno institution at the time, came knocking, offering Kanamori an opportunity to record his first full-length album. In 2001, EXP appeared via Tresor, a well-rounded LP filled to the brim with a number of dancefloor-orientated hard techno productions bearing Kanamori's trademark aesthetic, making him one of the first Japanese techno producers to attain global recognition. ~ Jason Birchmeier, Rovi
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