This data may be outdated as it has not been updated for a while. You may want to click on the refresh button below.
Data updated on 2025-04-07 13:54:17 UTC
Gustav Ejstes has always been on his way to someplace else. The Swedish musician has been making records as Dungen for two decades now, and while he’s lauded as one of the sharpest and most adventurous musicians in psychedelic music since 2004’s breakthrough Ta Det Lugnt, for Ejstes psych has always been only a starting point. Or maybe it’s something more like an ethos—psych with its promise of exploration, the way it prioritizes seeking out new sounds, of leaving the old self behind, of setting into the ether to see what else might be out there.
En Är För Mycket och Tusen Aldrig Nog is the first Dungen record since 2016’s Häxan and the first proper Dungen studio album since Allas Sak was released in 2015. If we’re thinking of psych-rock as a genre, with its readymade tropes—fuzz guitars, shimmering harmonies, pastoral textures—it’s possibly the least psychedelic record Ejstes has ever made. But if psych is really about transcending what’s come before in favor of new ways of seeing and hearing, then the opposite is true.
And that means En Är För Mycket och Tusen Aldrig Nog goes further out than any Dungen record before it. There are classic psych rave-ups, of course, and the kind of brilliant vocal harmonies Ejstes has long made his trademark. There are soft, shuffling grooves that transform into wide-eyed cosmic revelations. There are intimate songs guided by Ejstes and his piano, which he plays so gently it sounds like he’s trying not to wake someone in the next room.
En Är För Mycket och Tusen Aldrig Nog is the first Dungen record since 2016’s Häxan and the first proper Dungen studio album since Allas Sak was released in 2015. If we’re thinking of psych-rock as a genre, with its readymade tropes—fuzz guitars, shimmering harmonies, pastoral textures—it’s possibly the least psychedelic record Ejstes has ever made. But if psych is really about transcending what’s come before in favor of new ways of seeing and hearing, then the opposite is true.
And that means En Är För Mycket och Tusen Aldrig Nog goes further out than any Dungen record before it. There are classic psych rave-ups, of course, and the kind of brilliant vocal harmonies Ejstes has long made his trademark. There are soft, shuffling grooves that transform into wide-eyed cosmic revelations. There are intimate songs guided by Ejstes and his piano, which he plays so gently it sounds like he’s trying not to wake someone in the next room.
Total plays
47.8 million
Updated on 2025-04-07
Social media links
Monthly listeners
82,988
Followers
67,665
Top Cities
-
Oslo1,650 listeners
Most popular tracks
| Track | Plays | Duration | Release date | |
|---|---|---|---|---|
|
4,801,694 | 4:20 | 2008-09-24 | |
|
3,591,630 | 4:56 | 2004-05-01 | |
|
|
1,976,792 | 8:28 | 2004-05-01 | |
|
|
1,558,463 | 3:59 | 2004-05-01 | |
|
1,466,642 | 4:47 | 2016-06-06 | |
|
1,290,076 | 4:10 | 2016-11-18 | |
|
1,267,701 | 4:04 | 2018-01-30 | |
|
|
1,150,808 | 3:43 | 2004-05-01 | |
|
1,141,248 | 1:12 | 2016-11-18 | |
|
1,053,713 | 5:53 | 2018-03-16 |
