Flying Lotus

Whether in solitude or supported by a cast of musicians, Flying Lotus distills a uniquely crisp, spasmodic, and heady sound with elements of hip-hop, experimental electronic music, and avant-garde jazz. Regarded upon his 2006 arrival as a promising beatmaker looming in the shadows of <a href="spotify:artist:0IVcLMMbm05VIjnzPkGCyp">J Dilla</a>, <a href="spotify:artist:5LhTec3c7dcqBvpLRWbMcf">Madlib</a>, and <a href="spotify:artist:1tVRa7YiCwE6hTGsqqb4Te">Dabrye</a>, Steven Ellison -- the producer known as Flying Lotus -- nullified all comparisons only two years later with Los Angeles. On that album, his first of five for the <a href="spotify:search:label%3A%22Warp%22">Warp</a> label, Ellison advanced a progressive collision of styles that typified the L.A. beat scene of which he was part. While the abovementioned producers fueled Ellison, he had also been excited as a youngster by the '90s West Coast rap classics that combined programming and live instrumentation. His sound continued to develop as he put his own twist on the approach, recording with a crop of jazz artists including the indispensable likes of bassist <a href="spotify:artist:4frXpPxQQZwbCu3eTGnZEw">Thundercat</a> and strings master <a href="spotify:artist:6SlLXvZvYEGnurxBUpUdri">Miguel Atwood-Ferguson</a>. This process began with the turbulent 2010 set Cosmogramma and peaked in terms of acclaim in 2014 with You're Dead!, which crashed the Top 20 of the Billboard 200 and spawned the <a href="spotify:artist:2YZyLoL8N0Wb9xBt1NhZWg">Kendrick Lamar</a> collaboration "Never Catch Me," a Grammy nominee for Best Dance Recording. Ellison devoted a few years to various forms of film work and the operation of his revered <a href="spotify:search:label%3A%22Brainfeeder%22">Brainfeeder</a> label, and returned in 2019 with Flamagra, his second consecutive album to top Billboard's Dance/Electronic chart. After he was Grammy-nominated for Producer of the Year, he provided the score for the 2021 anime series Yasuke. The <a href="spotify:artist:2Gu6Q05ExIGwHTF43kqLBI">David Lynch</a>-inspired "Garmonbozia," Ellison's first solo single in several years, arrived in 2024.

Steven Ellison was born in Los Angeles and raised in the city's Winnetka neighborhood. He is the grandson of <a href="spotify:artist:50VpZk1HIigPDlwa0Mbgir">Marilyn McLeod</a>, a songwriter and producer known for co-writing hits such as <a href="spotify:artist:3MdG05syQeRYPPcClLaUGl">Diana Ross</a>' "Love Hangover" and <a href="spotify:artist:1VDurPMbOKrNU8mcMP4X1P">Jermaine Jackson</a>'s "Let Me Tickle Your Fancy." Additionally, Ellison is the grand-nephew of visionary jazz artists <a href="spotify:artist:0oKYiTD5CdNbrofRvM1dIr">Alice Coltrane</a> (<a href="spotify:artist:50VpZk1HIigPDlwa0Mbgir">McLeod</a>'s sister) and <a href="spotify:artist:2hGh5VOeeqimQFxqXvfCUf">John Coltrane</a>. His cousins include <a href="spotify:artist:7acdJJMSkYQly2X92K3u7u">Ravi</a> and Oran Coltrane, the latter of whom introduced him to electronic music production and gave him his first piece of gear, a Roland MC-505 groovebox. Drawn first to filmmaking -- he made stop-motion clips in his youth, using action figures and a camcorder -- Ellison obtained a degree from Los Angeles Film School and continued at the Academy of Art in San Francisco. After a short period in the Bay Area, he returned to L.A. and in 2004 started working as an intern for <a href="spotify:artist:3KjYnDT3cEQ8ngiCLTCIl9">Peanut Butter Wolf</a>'s <a href="spotify:search:label%3A%22Stones+Throw%22">Stones Throw</a> label, which enabled him to cross paths with inspirations such as <a href="spotify:artist:0IVcLMMbm05VIjnzPkGCyp">J Dilla</a> and <a href="spotify:artist:5LhTec3c7dcqBvpLRWbMcf">Madlib</a>. All the while, Ellison had continued to work on music, particularly taken with the Akai MPC sampler. In response to an open call from Cartoon Network's Adult Swim programming block, Ellison submitted tracks, and soon had them licensed for use between segments and commercial breaks.

Ellison debuted officially as Flying Lotus in 2006, the year he connected with <a href="spotify:search:label%3A%22Plug+Research%22">Plug Research</a>, a crucial outlet of Los Angeles' emerging beat scene. His "Two Bottom Blues" appeared beside tracks by established contemporaries such as <a href="spotify:artist:1YRGQOk4Mk9EpM6nTJhXtK">Daedelus</a>, Sa-Ra, and <a href="spotify:artist:2RdnkH5txHb9c4vGwq0I31">Georgia Anne Muldrow</a> on Carlos Niño Presents the Sound of L.A. A couple months later, he provided a remix for <a href="spotify:artist:1r3efMZ0kcejkPKP8oQZzv">Mia Doi Todd</a>'s La Ninja: Amor and Other Dreams. That October, <a href="spotify:search:label%3A%22Plug+Research%22">Plug Research</a> released 1983, Ellison's first album. Titled after his birth year, it was created in solitude with the exception of the cosmic "Unexpected Delight," featuring vocals from Laura Darlington -- a frequent collaborator for years to come. Signal-boosting support came most prominently from BBC DJ <a href="spotify:artist:4fH73bVIwM24QrBqjTrhAA">Gilles Peterson</a>. The next year, U.K. underground institution <a href="spotify:search:label%3A%22Warp+Records%22">Warp Records</a> signed Ellison and issued the Reset EP -- another October delivery -- on which Ellison's sound became more distinct. This time, <a href="spotify:artist:6SKEuFZYhaTytrhtJjgnO2">Andreya Triana</a> joined Ellison on the woozy opener "Tea Leaf Dancers," a signature early track.

Meanwhile, Ellison had become a major catalyst in the activity emanating from Low End Theory, a weekly club night -- and public salon of sorts for aspiring beatmakers and other musicians -- held in L.A.'s Lincoln Heights neighborhood. Local groundswell and an increasing international profile combined to make Ellison's first <a href="spotify:search:label%3A%22Warp%22">Warp</a> LP a subcultural event. The definitively titled Los Angeles arrived in June 2008, entered Billboard's Dance/Electronic Albums chart at number 16, and months later was hailed by several music publications as one of the year's best albums. Ellison incorporated vocals from Laura Darlington, <a href="spotify:artist:6pdYN3jOHWteVALy9sKGEf">Gonjasufi</a>, and <a href="spotify:artist:7gjbBSAraXRXxOTAkmWWQn">Dolly</a>, but he also received co-production input from fellow native Californians and L.A. transplants. Three of them -- <a href="spotify:artist:5dVua2HdrY1VlbPh6OM9KZ">Gaslamp Killer</a>, <a href="spotify:artist:56j1OkSq0AMCgZGKVNc8GP">Samiyam</a>, and <a href="spotify:artist:4KKx8fVJ0y7EcpmYZ42jPc">MatthewDavid</a> -- soon helped build the catalog of Ellison's <a href="spotify:search:label%3A%22Brainfeeder%22">Brainfeeder</a> label, launched the same year and named after the opening track of Los Angeles. By August 2009, <a href="spotify:search:label%3A%22Warp%22">Warp</a> had also dispersed L.A. EP 1 X 3, L.A. EP 2 X 3, and L.A. EP 3 X 3, a trilogy of short-form releases containing previously unreleased cuts and remixes. One of the remixes came from eventual <a href="spotify:search:label%3A%22Brainfeeder%22">Brainfeeder</a> artist <a href="spotify:artist:68i1l0GWQ5dwzAy1UVNHNw">Martyn</a>, affirming Ellison's enthusiastic tracking of pre-commercial dubstep. Around that time, Ellison also remixed a <a href="spotify:artist:68i1l0GWQ5dwzAy1UVNHNw">Martyn</a> production and made his first in a handful of appearances on the <a href="spotify:search:label%3A%22Hyperdub%22">Hyperdub</a> label.

One of many formative inspirations for Ellison was West Coast rap -- G-funk especially -- that integrated programming and live instrumentation. For the producer's next album, he took the concept to the hilt, albeit with a result that moved him closer to modern electric avant-garde jazz than to lowrider classics. Released in May 2010, Cosmogramma was a turning point for Ellison, made with instrumentalists such as bassist and vocalist <a href="spotify:artist:4frXpPxQQZwbCu3eTGnZEw">Thundercat</a>, violinist and arranger <a href="spotify:artist:6SlLXvZvYEGnurxBUpUdri">Miguel Atwood-Ferguson</a>, harpist Rebekah Raff, and Ellison's cousin, tenor saxophonist <a href="spotify:artist:7acdJJMSkYQly2X92K3u7u">Ravi Coltrane</a>. Darlington, Niki Randa, and <a href="spotify:artist:4Z8W4fKeB5YxbusRsdQVPb">Radiohead</a>'s <a href="spotify:artist:4CvTDPKA6W06DRfBnZKrau">Thom Yorke</a> also provided vocals on one track each. Just as significantly, Ellison incorporated sounds from medical equipment recorded in the hospital room of his mother, who died just before the album began to take shape. Even though the placement of those recordings isn't as obvious as, say, a <a href="spotify:artist:4frXpPxQQZwbCu3eTGnZEw">Thundercat</a> bassline, heavy-hearted sentiments were made evident throughout. Cosmogramma reached number three on the Dance/Electronic Albums chart and was the first Flying Lotus LP to hit the Billboard 200, registering at number 88. The supplemental Pattern+Grid World EP was out a few months later.

Until the Quiet Comes, the dreamlike fourth Flying Lotus album, was out in September 2012. Spacier and pared down in relation to Cosmogramma, it still found room for the likes of <a href="spotify:artist:4frXpPxQQZwbCu3eTGnZEw">Thundercat</a>, other <a href="spotify:search:label%3A%22Brainfeeder%22">Brainfeeder</a> affiliates including keyboardists <a href="spotify:artist:0aDq59Z2MJTahQmYIX3kBY">Austin Peralta</a> and <a href="spotify:artist:1bCEhVC3192xS5WteIaXOs">Brandon Coleman</a>, and <a href="spotify:artist:6SlLXvZvYEGnurxBUpUdri">Atwood-Ferguson</a>. Darlington, Randa, and <a href="spotify:artist:4CvTDPKA6W06DRfBnZKrau">Yorke</a> likewise added ghostly vocals, as did <a href="spotify:artist:7IfculRW2WXyzNQ8djX8WX">Erykah Badu</a>. It cracked the Top 40 of the Billboard 200, peaking at number 34, and narrowly missed the top of the Dance/Electronic chart. Ellison then bolted in the opposite direction and reached a new level of acclaim with his next work. You're Dead!, released in October 2014, used many of the players familiar to Flying Lotus sessions -- plus <a href="spotify:artist:2ZvrvbQNrHKwjT7qfGFFUW">Herbie Hancock</a>, rising <a href="spotify:search:label%3A%22Brainfeeder%22">Brainfeeder</a> addition <a href="spotify:artist:6HQYnRM4OzToCYPpVBInuU">Kamasi Washington</a>, and <a href="spotify:artist:7hJcb9fa4alzcOq3EaNPoG">Snoop Dogg</a>, as well as Ellison under his rapping Captain Murphy guise -- and multiplied the intensity. The thrashing LP scraped the Top 20 of the Billboard 200 and topped Dance/Electronic Albums. "Never Catch Me," featuring <a href="spotify:artist:2YZyLoL8N0Wb9xBt1NhZWg">Kendrick Lamar</a>, was nominated for a Grammy in the category of Best Dance Recording. Ellison had co-produced "Wesley's Theory" for <a href="spotify:artist:2YZyLoL8N0Wb9xBt1NhZWg">Lamar</a>'s To Pimp a Butterfly, a contender for Album of the Year, making him a two-time nominee.

<a href="spotify:search:label%3A%22Brainfeeder%22">Brainfeeder</a> inevitably branched into film production, beginning with the biological horror-comedy vignette Royal and the 2017 parent feature Kuso, both directed by (and featuring music from) Ellison. Additionally, Flying Lotus was the name credited with the music for the short Blade Runner Black Out 2022, among some other visual projects that reached the public in the mid- to late 2010s. Ellison ended the longest period between Flying Lotus albums in May 2019 with Flamagra. Put together over the intervening years, it threw <a href="spotify:search:label%3A%22Brainfeeder%22">Brainfeeder</a> signee <a href="spotify:artist:2GVBp7QyHckoOg7rYkLvrA">George Clinton</a>, <a href="spotify:artist:2auiVi8sUZo17dLy1HwrTU">Solange</a>, <a href="spotify:artist:3jK9MiCrA42lLAdMGUZpwa">Anderson .Paak</a>, <a href="spotify:artist:6C403AR4y6PjN0xNNGh42m">Shabazz Palaces</a>, and <a href="spotify:artist:4lPl9gqgox3JDiaJ1yklKh">Tierra Whack</a>, among several other guests, into the mix. A central role was played by director <a href="spotify:artist:2Gu6Q05ExIGwHTF43kqLBI">David Lynch</a>, who spun a tale about an inferno threatening to engulf a neighborhood. Flamagra became the second Flying Lotus LP to top the Dance/Electronic Albums chart, and debuted on the Billboard 200 at number 45. He continued to work closely with <a href="spotify:artist:4frXpPxQQZwbCu3eTGnZEw">Thundercat</a> on the bassist's 2020 release It Is What It Is; it won a Grammy for Best Progressive R&B Album, and the same year, Ellison was among the nominees for Producer of the Year, Non-Classical.

Returning to film work, Ellison composed the soundtrack to the 2021 Netflix anime series Yasuke, based on a 16th century Black samurai. "The Room," a neo-soul single featuring singer Devin Tracy, appeared in 2022, the same year Ellison co-wrote, directed, and scored the "Ozzy's Dungeon" segment of the horror anthology film V/H/S/99. He and <a href="spotify:artist:3kf0gOpxWtkyeMNJVDQPtd">Smoke DZA</a> partnered for Flying Objects, an EP that featured appearances from <a href="spotify:artist:6DJEUXZm0e2rAohdoZ5Voo">Black Thought</a>, <a href="spotify:artist:5T0MSzX9RC5NA6gAI6irSn">Estelle</a>, and <a href="spotify:artist:67gqUXxHedeUGDTxwBzdjS">Conway the Machine</a>, in 2023. Still inspired by <a href="spotify:artist:2Gu6Q05ExIGwHTF43kqLBI">David Lynch</a> -- Twin Peaks in particular -- Ellison returned in 2024 with the woozy single "Garmonbozia," on which he sang about being confined to "the red room." ~ Andy Kellman