Last updated: 9 hours ago
The Forróçacana appeared in May 1997, in Rio de Janeiro, within the local scene known as "university forró," as were called the groups from the '90s formed by middle-class members of the Southeastern states, in opposition to the rootsy forró groups of the Northeast composed of members of the working class. Melting the traditional forró pé-de-serra with diverse elements (choro, samba, rock, salsa, reggae, etc.), the group got started in the traditional format, doing five-hour balls with a repertory based in <a href="spotify:artist:2b9ikX6H2LQRvSRks5E8vo">Jackson do Pandeiro</a>'s tunes and other classics of the genre. The originals came later, urged by the desire of establishing an individual identity: "Forró Horizontal," "O Cabra," "Caraíva," "Telepatia no Salão," etc. Forming a considerable audience, they soon were opening for Jorge Benjor, <a href="spotify:artist:10naVTwNjE50daQVrN0bXh">Cássia Eller</a>, <a href="spotify:artist:7LunbFWIm3RPQpywjOSSd8">Zeca Baleiro</a>, <a href="spotify:artist:4YLBdrR3DVSMncm785NH6C">Lenine</a>, Alceu Valença, <a href="spotify:artist:1mCHLu4gizrN9PwHxKrJv4">Dominguinhos</a>, <a href="spotify:artist:1fCdub35SOEgPYVfSrYTI6">Xangai</a>, Pedro Luís e a Parede, Seu Jorge, Alceu Valença, <a href="spotify:artist:4ph6Bt1mkDlmf32PSvRa8A">Elba Ramalho</a>, <a href="spotify:artist:7oEkUINVIj1Nr3Wnj8tzqr">Gilberto Gil</a>, and other top artists. Their first individual CD, Vamo Que Vamo, had a hit with Jorge Benjor's "Menina Mulher da Pele Preta." <a href="spotify:artist:7LunbFWIm3RPQpywjOSSd8">Zeca Baleiro</a> wrote especially for the group "Forró do Malagueta." ~ Alvaro Neder
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