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Guerilla Toss met in 2012, crawling out of the skronky psychedelic punk fairytale that was their Boston DIY scene. Now based in New York, the currently touring and always recording art rock band have fully crystalized their brilliantly unhinged music. A lazy river ride done while wielding a jackhammer. Electroclash by way of fucked up no wave. ESG by way of PiL by way of Brian Eno by way of Sonic Youth. Not long after, the band went on tour with Pavement, playing some of the biggest venues of their career. Now the long running band is back on tour, this time supporting Primus and Coheed & Cambria.

Explosive, breathtaking. Kassie Carlson crowd surfs and moshes. She is a force to be reckoned with. High energy and raw, but also thoroughly composed. Guerilla Toss songs are all about hooks and grooves — they make music that basically requires you to dance. The band knows exactly what they are doing. If you’re supposed to dance, they’re dancing too. Jumping around and playing music that is totally caustic, ferociously creative, even a little bit feral. They mess with time signatures, making disorienting moves via all avenues at all times. “Guerilla Toss has a unique danceability to this day,” says Jake Saunders, a long time fan of the band, citing Peter Negroponte’s wizardry on the drums and Kassie’s ability to command a room in a way that almost feels like you’re possessed, bewitched, fearing for your life but also thrilled to be living it.

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