Last updated: 5 days ago
I’ve listened several times to your four tracks, and like the first three better than the last.
The unremitting muffled beats in Volta reduce the heart and lungs to a set of punching bags whose pathetic pleas the voice and guitar poignantly express.
The deep resonant instrumental bass and rasping irascible guttural voice in Mattress work very well together, not that I wish your vocalist’s throat any harm by encouraging this very costly use of it.
I liked the high-pitched, high-keyed, almost falsetto character of both voice and guitar in Pig, the former morosely reflective and the latter plucked somewhat finically.
Wasteland sounds as much concerned with time passing as with what passes along with it, with a rueful reflective quality.
The unremitting muffled beats in Volta reduce the heart and lungs to a set of punching bags whose pathetic pleas the voice and guitar poignantly express.
The deep resonant instrumental bass and rasping irascible guttural voice in Mattress work very well together, not that I wish your vocalist’s throat any harm by encouraging this very costly use of it.
I liked the high-pitched, high-keyed, almost falsetto character of both voice and guitar in Pig, the former morosely reflective and the latter plucked somewhat finically.
Wasteland sounds as much concerned with time passing as with what passes along with it, with a rueful reflective quality.
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