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Jacques Higelin was born in Brou-sur-Chantereine, a working-class village east of Paris, on October 18, 1940. Jacques' father was both a railroad worker and a music enthusiast who supported his son's love of performing from a young age. Jacques' interests turned toward jazz, and he began singing at the cinemas and on radio competitions while still a boy. By his early teens, he had quit school and gotten work as a stunt man, earning small contracts at first, but soon performing full-time. His film work had him rubbing shoulders with people like <a href="spotify:artist:1RsmXc1ZqW3WBs9iwxiSwk">Sidney Bechet</a> and film composer <a href="spotify:artist:1WtbGMxqfd5zuEO0yasDcn">Henri Crolla</a>, who taught him guitar. After a brief stint at the René Simon School of Drama and two years of military service, Higelin went back to working in cinema and café-theater. By the mid-'60s, he had made a name for himself, and was offered his first opportunity to record. Douze Chansons d'Avant le Deluge was shortly followed by Quinze Chansons d'Avant le Deluge, both renderings of <a href="spotify:artist:5zxoNpMKPndZDVJklENYfb">Boris Vian</a>'s songs recorded with <a href="spotify:artist:2P03Aan9wfgwkxTwGch2g1">Brigitte Fontaine</a>. Higelin continued to turn even more attention toward music, using the medium to express his leftist political ideals. The early '70s found Higelin as a beloved native son of the Parisian artistic underground. In 1971 he released his first solo record, Jacques "Crabouif" Higelin, comprised entirely of his own compositions. He found a new voice in the mid-'70s rock era with his record BBH 75, followed by Irradie a few years later. Musical grit combined with a poet's attention to verse would come to characterize his career. Through the '80s and '90s and into the new millennium, Higelin has continued to write and record prolifically, releasing a new project every few years straight up to 2006's Amor Doloroso. ~ Evan C. Gutierrez, Rovi

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