Last updated: 1 hour ago
ABOUT JASON NAWTY
From humble beginnings with only one belt-drive turntable and a tape recorder, he learned to scratch records at the tender age of 14 in the mid 80's. Since then he's played all over the world and produced some of the finest hardhouse anthems on the UK scene during its late 90s hay day.
His track "Transparent" on Positive State is tiped for 1 million streams on spotify and has been signed by Universal Music Group.
This reflects his skill, attention to detail, ear for the right sound, his passion and drive, and willingness to keep learning and moving forward.
The same can be said for his DJ sets too, energetic, crowd pleasing, dance floor euphoria is always his aim. his use of just the right amount of FX and the scratching snippets he does live work perfectly.
He says….
“I don’t like to pigeon hole my sets, I like to have an open mind and my eyes on the crowd, so that I can take them where they lose it most, it could be bouncy, or vocally, or trancey, or dirty, or simply all 4. I feel the crowds energy and let them inspire me. Being able to to the odd well executed scratching flutter, and use of the FX on mixers, helps to elevate them as well”
From humble beginnings with only one belt-drive turntable and a tape recorder, he learned to scratch records at the tender age of 14 in the mid 80's. Since then he's played all over the world and produced some of the finest hardhouse anthems on the UK scene during its late 90s hay day.
His track "Transparent" on Positive State is tiped for 1 million streams on spotify and has been signed by Universal Music Group.
This reflects his skill, attention to detail, ear for the right sound, his passion and drive, and willingness to keep learning and moving forward.
The same can be said for his DJ sets too, energetic, crowd pleasing, dance floor euphoria is always his aim. his use of just the right amount of FX and the scratching snippets he does live work perfectly.
He says….
“I don’t like to pigeon hole my sets, I like to have an open mind and my eyes on the crowd, so that I can take them where they lose it most, it could be bouncy, or vocally, or trancey, or dirty, or simply all 4. I feel the crowds energy and let them inspire me. Being able to to the odd well executed scratching flutter, and use of the FX on mixers, helps to elevate them as well”
Monthly Listeners
7,632
Monthly Listeners History
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Followers
582
Followers History
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