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Multi-instrumentalist/broken beat producer John Arnold cut his teeth in the Detroit electronic scene in a very unique fashion when compared to most Detroit folklore. After studying music theory at Wayne State University, Arnold formed the worldbeat-influenced acoustic duo Blackman & Arnold, which quickly gained attention around town due to their seemingly never-ending performance schedule. He was also a founder of the live acid jazz combo Jazzhead, which performed at many local electronic music clubs around town and quickly gained a loyal following. It was through word of mouth that Arnold caught the attention of such techno luminaries as <a href="spotify:artist:0v6N0xV7AfHHKVcgUOjC51">Derrick May</a> and <a href="spotify:artist:17dbJyUCrxh4I7iyUrjaHU">Carl Craig</a>. <a href="spotify:artist:17dbJyUCrxh4I7iyUrjaHU">Craig</a> was so impressed with Arnold's work that he invited him to perform live at the inaugural Detroit Electronic Music Festival in 2000, and <a href="spotify:artist:0v6N0xV7AfHHKVcgUOjC51">May</a> issued Arnold's solo debut, Universal Mind on Fragile (Transmat's sister label), that same year. A release on Transmat would happen four years later and Arnold also found great interest from the California imprint Ubiquity. Several singles and remixes later, Ubiquity released Arnold's debut full-length, Neighborhood Science, in 2004. The album featured a veritable who's who of the Detroit electronic-jazz scene, including notable contributions from Ayro, Malik Alston, and <a href="spotify:artist:39g75EmRFeFbvHhsGjUpLU">Amp Fiddler</a>. The follow-up, Style and Pattern, was released in November of 2005 on Ubiquity, and once again featured Detroit luminaries such as jazz legend <a href="spotify:artist:5yBslrSWPfKklWwZbzLHka">Wendell Harrison</a>, Parliament/<a href="spotify:artist:450o9jw6AtiQlQkHCdH6Ru">Funkadelic</a> percussionist Larry Fratangelo, and Mahogani Music producer/bassist Paul Randolph. ~ Rob Theakston, Rovi

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