This data may be outdated as it has not been updated for a while. You may want to click on the refresh button below.
Data updated on 2025-06-03 20:03:18 UTC
Anyone who’s followed Judith Hill’s story will recognize Letters from a Black Widow as one jaw-dropper of an album title. The tabloid-coined phrase “Black Widow” arose after the overdose deaths of her two star-making collaborators, Michael Jackson and Prince. It became a term of abuse that internet trolls hurled at the celebrated artist, driving conspiracy theories and shame campaigns – trauma that nearly ended a career that includes a Grammy for her role in the Oscar-winning documentary film “20 Feet from Stardom.”
“For years the Black Widow was such a dark presence in my life that was too looming and intimidating to even talk about,” Hill says. But a year into the pandemic, she had time and space for a momentous reckoning. “Being forced to stop allowed me to reach a deeper place, to really marinate and figure out what’s at my core, what I really needed to talk about. I found I had the courage and strength to face all this – to be authentic to my core, to dive into the whole experience, and turn an ocean of darkness into expressive fire.”
If Hill’s previous album, Baby, I’m Hollywood, was the rowdy coming-of-age tale of a mixed-race child of bohemian California, Letters from a Black Widow is a formidable battle cry – an album-length soul/funk/gospel passion play that’s spectacularly written, arranged, and performed.
“For years the Black Widow was such a dark presence in my life that was too looming and intimidating to even talk about,” Hill says. But a year into the pandemic, she had time and space for a momentous reckoning. “Being forced to stop allowed me to reach a deeper place, to really marinate and figure out what’s at my core, what I really needed to talk about. I found I had the courage and strength to face all this – to be authentic to my core, to dive into the whole experience, and turn an ocean of darkness into expressive fire.”
If Hill’s previous album, Baby, I’m Hollywood, was the rowdy coming-of-age tale of a mixed-race child of bohemian California, Letters from a Black Widow is a formidable battle cry – an album-length soul/funk/gospel passion play that’s spectacularly written, arranged, and performed.
Monthly listeners
112,320
Followers
65,224
Most popular tracks
| Track | Plays | Duration | Release date | |
|---|---|---|---|---|
|
7,640,219 | 3:32 | 2020-07-08 | |
|
3,184,138 | 2:52 | 2018-09-23 | |
|
2,804,387 | 2:51 | 2019-05-15 | |
|
2,711,022 | 3:12 | 2020-03-13 | |
|
1,615,883 | 5:06 | 2015-10-23 | |
|
1,507,489 | 2:54 | 2012-01-01 | |
|
|
1,060,307 | 4:34 | 2015-10-23 | |
|
913,412 | 3:50 | 2013-06-07 | |
|
901,272 | 4:19 | 2023-07-14 | |
|
896,217 | 3:05 | 2021-05-10 |
![#She [Live]](https://i.scdn.co/image/ab67616d0000b273ec2bc8d570beea75699bd3bf)
