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Like <a href="spotify:artist:5dncbrnveDMX9DgxcedeUg">Vega</a>, the Brooklyn-born Gonzalez was prolific on his own before and during the partnership, and started out as a DJ. In the '80s, Gonzalez founded the <a href="spotify:search:label%3A%22Dope+Wax%22">Dope Wax</a> label while doing production for several New York dance labels, including <a href="spotify:search:label%3A%22Big+Beat%22">Big Beat</a>, <a href="spotify:search:label%3A%22Cutting%22">Cutting</a>, Nervous, and Strictly Rhythm (home to his releases as <a href="spotify:artist:4PeH0LM0QG4jFfzSmU0SuB">the Untouchables</a>). <a href="spotify:artist:5Fkj0k7EPUhIsESSIEA9f1">Masters at Work</a> actually began around this time, originating as a partnership between Gonzalez and <a href="spotify:artist:7zuB7923dsOXR4Zgf9ZEJR">Mike Delgado</a>; the two organized parties under the name. A few years after Gonzalez aligned himself with <a href="spotify:artist:5dncbrnveDMX9DgxcedeUg">Vega</a>, he established <a href="spotify:artist:1yjuFciXmV3NaPCzwwHclC">the Bucketheads</a>, a studio project that released a string of extremely successful singles and a full-length. Both "The Bomb" and "Got Myself Together" topped Billboard's U.S. club chart, and appeared on 1995's All in the Mind full-length.
Gonzalez released several solo productions under his own name throughout the early 2000s, through the <a href="spotify:search:label%3A%22Tu+Chicks%22">Tu Chicks</a>, <a href="spotify:search:label%3A%22Freeze%22">Freeze</a>, and <a href="spotify:search:label%3A%22TNT%22">TNT</a> labels. His skills as a DJ were demonstrated with a pair of impressive releases for the U.K.'s <a href="spotify:search:label%3A%22BBE%22">BBE</a> label, too: 1998's Hip Hop Forever was a triple-disc set, including an early-'90s-centric mix on one disc and the selections in full on the other two. The similarly formatted Disco Heat came four years later, and focused on underground disco and house classics from the late '70s. Throughout the remainder of the decade, he was a go-to DJ for quality mix albums. His highlights included Roller Boogie 80's (<a href="spotify:search:label%3A%22Traffic%22">Traffic</a>, 2004), Life:Styles (<a href="spotify:search:label%3A%22Harmless%22">Harmless</a>, 2004), Randy Muller's Best (<a href="spotify:search:label%3A%22Plaza%22">Plaza</a>, 2005), Choice: A Collection of Classics (<a href="spotify:search:label%3A%22Azuli%22">Azuli</a>, 2006), and Mixes P&P Records (<a href="spotify:search:label%3A%22P%26P%22">P&P</a>, 2007).
Along with Terry Hunter, Gonzalez formed <a href="spotify:artist:3Rk4PM4KfRU6lhvGvjA0rT">Mass Destruction</a>; their eponymous 2009 full-length included guest vocals by <a href="spotify:artist:3EoFVszwsvsw0Cr7b4ncaD">Byron Stingily</a> and <a href="spotify:artist:1kLU4FT0l2Bayn8Vir6jo3">Lidell Townsell</a>. 2010 compilation House Masters compiled two discs' worth of production and remix highlights from throughout Gonzalez's career. In 2011, he produced rapper <a href="spotify:artist:18QL8xB24RzcuwTcfX86Yw">Rasheed Chappell</a>'s album Future Before Nostalgia, released by <a href="spotify:search:label%3A%22Kay-Dee+Records%22">Kay-Dee Records</a>, the label Gonzalez co-founded with fellow cratedigger Keb Darge. The label also released Wild Style Breakbeats, a 2014 set consisting of Gonzalez' edits of breakbeats featured in the classic old-school hip-hop film Wild Style, spread across seven 7" singles. The producer continued releasing house singles on his own <a href="spotify:search:label%3A%22Dope+Wax%22">Dope Wax</a> imprint, and returned to Strictly Rhythm with 2017 single "Talk Dirty," featuring vocalist <a href="spotify:artist:4OGlp2UdUQGPJVbvJ82Cz5">Roland Clark</a>. ~ Andy Kellman, Rovi
Monthly Listeners
2.6 million
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Followers
37,117
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Total Streams
568.5 million
Total Streams History
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